tag:blogger.com,1999:blog-89774104921702030712024-03-12T17:48:58.924-07:00tamtamART TAIPEIUnknownnoreply@blogger.comBlogger36125tag:blogger.com,1999:blog-8977410492170203071.post-84606998549492683492015-09-28T08:33:00.000-07:002015-10-16T21:40:21.446-07:00<div style="font-stretch: normal; margin: 0.75em 0px 0px; position: relative;">
<span style="font-family: helvetica, arial, sans-serif; line-height: 20.7px;"><span style="font-size: large;"><b>New Taiwan Video Art in Korea</b></span></span></div>
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<b><br /></b><b>10.20-10.28 2015<br />(COM)TEMPORARY OSMOSIS in KOREA</b></div>
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<i class="_4-k1 img sp_UkKp2mjPS47 sx_f58ff1" style="background-image: url(https://fbstatic-a.akamaihd.net/rsrc.php/v2/yp/r/aeO1ik7i7-T.png); background-position: 0px -6630px; background-repeat: no-repeat; background-size: auto; display: inline-block; height: 16px; vertical-align: -3px; width: 16px;"><u style="left: -999999px; position: absolute;">◾</u></i>10/20 : New Taiwan Video Art<br />
@<a class="profileLink" data-hovercard="/ajax/hovercard/page.php?id=224068407649178" href="https://www.facebook.com/pages/Yogiga/224068407649178" style="cursor: pointer; text-decoration: none;">Yogiga</a><span class="text_exposed_show" style="display: inline;"><br /><a aria-describedby="js_cx" aria-haspopup="true" aria-owns="js_cw" class="profileLink" data-hovercard="/ajax/hovercard/event.php?id=1634994143424708&extragetparams=%7B%22source%22%3A22%2C%22action_history%22%3A%22null%22%7D" href="https://www.facebook.com/events/1634994143424708/?ref=22&action_history=null&source=22" id="js_cy" style="cursor: pointer; text-decoration: none;">https://www.facebook.com/events/1634994143424708/</a></span></div>
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@ National Museum of Modern and Contemporary<br />
Art/ Goyang, Seoul<br />
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@ 시청각 AUDIO VISUAL PAVILION<br />
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<b><span style="color: #666666; font-size: large;">第五届N分钟影像艺术节展映 上海二十一世纪民生美术馆</span></b><br />
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<span style="font-family: 新細明體;"><span style="line-height: 20.8px;">地点:上海二十一世纪民生美术馆二楼多媒体互动室</span></span></span></div>
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<span style="color: #666666;"><span style="font-family: 新細明體;">时间:</span><span lang="EN-US">2015</span><span style="font-family: 新細明體;">年</span><span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">11</span><span style="font-family: 新細明體;">日</span><span lang="EN-US">-9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">20</span><span style="font-family: 新細明體;">日</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span style="font-family: 新細明體;">上海市浦东新区世博大道</span><span lang="EN-US">1929</span><span style="font-family: 新細明體;">号</span><span lang="EN-US"> (</span><span style="font-family: 新細明體;">近博成路及塘子泾路交界处</span><span lang="EN-US">)<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span style="font-family: 新細明體;">本次活动免费</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span style="font-family: 新細明體;">当下物质富裕,视频的创作与普及性已随着网络与数码产品的日常化而普及,但公众对录像艺术的认知依旧非常有限。作为一个新时代的录像厅概念,</span><span lang="EN-US">N-Box</span><span style="font-family: 新細明體;">选择历届</span><span lang="EN-US">N</span><span style="font-family: 新細明體;">分钟优秀国际、国内选片,类别包括经典、年轻艺术家、动画、实验、视频、国外艺术节单元等等,与上海二十一世纪民生美术馆合作,作为</span><span lang="EN-US">M21“</span><span style="font-family: 新細明體;">影像地带</span><span lang="EN-US">”</span><span style="font-family: 新細明體;">的特别项目,希望对录像艺术有好奇心、或渴望了解未知的观众能够有机会与艺术家一起挑战观念,丰富视觉经验。</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">• </span><span style="font-family: 新細明體;">北美艺术家单元</span><span lang="EN-US">—</span><span style="font-family: 新細明體;">力量与斗争(</span><span lang="EN-US">Strength and Struggle</span><span style="font-family: 新細明體;">)</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span style="font-family: 新細明體;">策展人:</span><span lang="EN-US">Justin Hoover(</span><span style="font-family: 新細明體;">美国</span><span lang="EN-US"> Santa Cruz </span><span style="font-family: 新細明體;">美术馆</span><span lang="EN-US">)<o:p></o:p></span></span></div>
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<span lang="EN-US" style="color: #666666;">1.Jennifer Locke<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #666666;">Choke 2'53'' / White/Red (Fake Blood) 59'1''<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #666666;">2.Kate Gilmore<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #666666;">My Love is Like an Anchor 7'03''/ Baby Belong to Me 3'36''/ Star Bright, Star Might 7'37''<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #666666;">3.Heather Cassils<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #666666;">Hard Times 3'35''<o:p></o:p></span></div>
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<span style="color: #666666;"><span lang="EN-US">• </span><span style="font-family: 新細明體;">瑞</span><span style="font-family: 'Adobe 明體 Std L';">⼠</span><span style="font-family: 新細明體;">艺术家</span><span lang="EN-US"> Peter Fischli & David Weiss </span><span style="font-family: 新細明體;">经典作品</span><span lang="EN-US"> The right way 55'</span><span style="font-family: 新細明體;">(</span><span style="font-family: 'Adobe 明體 Std L';">⽇</span><span style="font-family: 新細明體;">内瓦市</span><span lang="EN-US">FMAC</span><span style="font-family: 新細明體;">馆藏借展)</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span style="font-family: 新細明體;">策展人:黎宁春</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">• </span><span style="font-family: 新細明體;">台湾单元</span><span lang="EN-US">—“tamtamART</span><span style="font-family: 新細明體;">主题选片《生存》</span><span lang="EN-US">”<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span style="font-family: 新細明體;">策展团队:</span><span lang="EN-US">tamtamART </span><span style="font-family: 新細明體;">台北</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">1. </span><span style="font-family: 新細明體;">吴梓宁</span><span lang="EN-US">Tzu-NingWu CyberNative : 5'21''<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">2. </span><span style="font-family: 新細明體;">杒佩诗</span><span lang="EN-US">Pei-ShihTu Lastwill : 7'15''<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">3. </span><span style="font-family: 新細明體;">陈依纯</span><span lang="EN-US">I-ChunChen Little Black's Whole Life in the Factory : 10'00''<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">4. </span><span style="font-family: 新細明體;">叶育君</span><span lang="EN-US">YuJunYe &Alexis Mailles Pacific Romance : 3'48''<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">• “A.S.C</span><span style="font-family: 新細明體;">当代媒体影音系列</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span style="font-family: 新細明體;">策展团队:</span><span lang="EN-US">tamtamART </span><span style="font-family: 新細明體;">台北</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">1. </span><span style="font-family: 新細明體;">吴灿政</span><span lang="EN-US">Tsan - Cheng Wu the Walking City: 8' 00"<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">2. </span><span style="font-family: 新細明體;">詹育杰</span><span lang="EN-US">Yu-Chieh Chan At the end of the game: 4’20<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">3. </span><span style="font-family: 新細明體;">孙瑞鸿</span><span lang="EN-US">Ruey-Horng Sun car wash: 11’56”<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">4. </span><span style="font-family: 新細明體;">樊智铭</span><span lang="EN-US">Chih-Ming Fan landscape: 5’20”<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">5. </span><span style="font-family: 新細明體;">侯建呈</span><span lang="EN-US">HouChien Cheng All the Others: 10’16”<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">6. </span><span style="font-family: 新細明體;">何昱达</span><span lang="EN-US">Yuda Ho TheDundee Train: 1’36”<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">7. </span><span style="font-family: 新細明體;">徐嘒埙</span><span lang="EN-US">Hui-Hsuan Hsu Settlement?: 10’04”<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">8. </span><span style="font-family: 新細明體;">吴宜晔</span><span lang="EN-US">I-Yeh, Wu Inthe future: 3’35”<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">9. </span><span style="font-family: 新細明體;">李若玫</span><span lang="EN-US">Jo-Mei LEE Ishigaki Jima: 12’32”<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">10. </span><span style="font-family: 新細明體;">郑先喻</span><span lang="EN-US">Xian-Yu Zheng isISis</span><span style="font-family: 新細明體;">:</span><span lang="EN-US">5'00" version/ flexible </span><span style="font-family: 新細明體;">实时生成无片长(</span><span lang="EN-US">5</span><span style="font-family: 新細明體;">分钟输出版本)</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span style="font-family: 新細明體;">排片表</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">11</span><span style="font-family: 新細明體;">日、</span><span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">15</span><span style="font-family: 新細明體;">日、</span><span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">16</span><span style="font-family: 新細明體;">日</span><span lang="EN-US"> 14:00 </span><span style="font-family: 新細明體;">(</span><span lang="EN-US">84min</span><span style="font-family: 新細明體;">)</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">• </span><span style="font-family: 新細明體;">北美艺术家选片</span><span lang="EN-US">—</span><span style="font-family: 新細明體;">力量与斗争(</span><span lang="EN-US">Strength and Struggle</span><span style="font-family: 新細明體;">)</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">13</span><span style="font-family: 新細明體;">日、</span><span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">14</span><span style="font-family: 新細明體;">日(</span><span lang="EN-US">55min</span><span style="font-family: 新細明體;">)</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">• </span><span style="font-family: 新細明體;">瑞</span><span style="font-family: 'Adobe 明體 Std L';">⼠</span><span style="font-family: 新細明體;">艺术家</span><span lang="EN-US"> Peter Fischli et David Weiss </span><span style="font-family: 新細明體;">经典作品(</span><span style="font-family: 'Adobe 明體 Std L';">⽇</span><span style="font-family: 新細明體;">内瓦市</span><span lang="EN-US">FMAC</span><span style="font-family: 新細明體;">馆藏借展)</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">17</span><span style="font-family: 新細明體;">日</span><span lang="EN-US">-9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">18</span><span style="font-family: 新細明體;">日、</span><span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">20</span><span style="font-family: 新細明體;">日</span><span lang="EN-US"> 14:00 </span><span style="font-family: 新細明體;">(</span><span lang="EN-US">88min</span><span style="font-family: 新細明體;">)</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">• </span><span style="font-family: 新細明體;">台湾单元选片</span><span lang="EN-US">—“tamtamART</span><span style="font-family: 新細明體;">主题选片《生存》</span><span lang="EN-US">”<o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">• “A.S.C</span><span style="font-family: 新細明體;">当代媒体影音系列选片</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">N</span><span style="font-family: 新細明體;">分钟讲座</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">12</span><span style="font-family: 新細明體;">日</span><span lang="EN-US"> 14:00 </span><span style="font-family: 新細明體;">身体、耐力与表演文化</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">19</span><span style="font-family: 新細明體;">日</span><span lang="EN-US"> 14:00 </span><span style="font-family: 新細明體;">台湾当代影像艺术座谈</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">N</span><span style="font-family: 新細明體;">分钟影像艺术节</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span lang="EN-US">N</span><span style="font-family: 新細明體;">分钟影像艺术节是一个艺术破墙的公共艺术项目。于</span><span lang="EN-US">2011</span><span style="font-family: 新細明體;">年创立,每年</span><span lang="EN-US">9</span><span style="font-family: 新細明體;">月至</span><span lang="EN-US">10</span><span style="font-family: 新細明體;">月以上海为主场,通过举办一系列如展览、影像放映、讲座、表演与论坛活动的实践,将影像类艺术创作形态延伸至公众生活可触及的城市空间,形成跨界互动,从而实践策展人对艺术介入公共空间的实验性探索,诠释公共艺术的新的可能。</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span style="font-family: 新細明體;">影像地带</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span style="font-family: 新細明體;">影像地带是上海二十一世纪民生美术馆(</span><span lang="EN-US">M21</span><span style="font-family: 新細明體;">)公共教育部发起的一项长期支持影像和</span><span lang="EN-US">Video</span><span style="font-family: 新細明體;">艺术展映、研究和交流的公益项目。</span><span lang="EN-US">M21</span><span style="font-family: 新細明體;">将在分门类、分地区、分题材展映电影、动画、</span><span lang="EN-US">Video</span><span style="font-family: 新細明體;">艺术的同时,就相关问题发起讨论,并不定期组织工作坊和研讨会。力争集合艺术家、研究者和公众等多方力量,逐步建立起一个多领域开放并不断生长的</span><span lang="EN-US">M21</span><span style="font-family: 新細明體;">影像资料档案库,为支持当代影像艺术创作、理论研究和社会推广提供坚实的基础。</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span style="font-family: 新細明體;">交通指引</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;"><span style="font-family: 新細明體;">搭乘地铁人士可于</span><span lang="EN-US">7</span><span style="font-family: 新細明體;">号线长清路站</span><span lang="EN-US">(1</span><span style="font-family: 新細明體;">号口</span><span lang="EN-US">)</span><span style="font-family: 新細明體;">或地铁</span><span lang="EN-US">8</span><span style="font-family: 新細明體;">号线中华艺术宫站</span><span lang="EN-US">(3</span><span style="font-family: 新細明體;">号口</span><span lang="EN-US">)</span><span style="font-family: 新細明體;">出,步行约</span><span lang="EN-US">20</span><span style="font-family: 新細明體;">分钟抵达美术馆。</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666; font-family: 新細明體;">自驾人士请选择塘子泾路入口进入美术馆。</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large; line-height: 18.48px;"><b>Hors Pistes Japon, Tokyo/Kyoto 2015</b></span></div>
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<span style="line-height: 18px;"><span style="font-family: Arial, Helvetica, sans-serif;">12 June(fri) – 3 July(fri.)</span></span></div>
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6/20(Sat.)5:10pm : Taiwan Special program</div>
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Artists: </div>
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Tsan-Cheng Wu吳燦政, Ruey-Horng Sun, 樊志明Chih-Ming Fan, Yuda Ho何昱達, 吳宜曄I-Yeh, Wu, Jo-Mei Lee李若玫, Hsien Yu鄭先喻, Laza Wu 吳梓寧, 陳依純I-Chun Chen, YuJun Ye葉育君 x Alexis Mailles.</div>
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<span style="font-family: helvetica, arial, lucida grande, sans-serif; font-size: x-small;"><a href="http://www.horspistestokyo.com/">http://www.horspistestokyo.com/</a></span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-13406274421336749912015-03-13T09:36:00.003-07:002015-03-22T17:54:39.441-07:00<div class="MsoNormal" style="text-align: left;">
<span style="color: #444444; font-size: large;"><span style="font-family: Verdana, sans-serif;"><span lang="EN-US"><b>(CON)TEMPORARY OSMOSIS</b> </span></span><b style="font-family: Verdana, sans-serif;"><span lang="EN-US">- Audiovisual Media festival 2015</span></b></span></div>
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<span style="color: #444444; font-family: Verdana, sans-serif; font-size: large;"><b>當。滲透影像媒體藝術節</b><b><span lang="EN-US">2015</span></b></span></div>
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<span style="color: #444444; font-family: Verdana, sans-serif; font-size: large;"><b>2015.3.22 - 4.26</b></span></div>
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font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;">,其中包含劇場、音樂節與當代藝術空間來展現跨領域、跨</span><wbr style="background-color: white; color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;"></wbr><span class="word_break" style="background-color: white; color: #444444; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;"></span><span style="background-color: white; color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;">單位的活力。此次更值得一提的是,tamtamART與</span><wbr style="background-color: white; color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;"></wbr><span class="word_break" style="background-color: white; 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color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;"></wbr><span class="word_break" style="background-color: white; color: #444444; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;"></span><span style="background-color: white; color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;">元,共約80位國際策展人及藝術家共同參與。藝術節其間</span><wbr style="background-color: white; color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;"></wbr><span class="word_break" style="background-color: white; color: #444444; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;"></span><span style="background-color: white; color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;">將由主辦單位與各國策展人帶領藝術家舉辦播映會、現場表</span><wbr style="background-color: white; color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;"></wbr><span class="word_break" style="background-color: white; color: #444444; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;"></span><span style="background-color: white; color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;">演、座談等活動。與此同時,tamtamART TAIPEI 團隊更進一步的與國外藝術單位達成協議,於展演結束後,</span><wbr style="background-color: white; color: #444444; 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<span style="color: #444444;"><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;"><span style="line-height: 20.1000003814697px;">這次的藝術節主題從水分子的滲透現象的概念出發。Osm</span><wbr style="line-height: 20.1000003814697px;"></wbr><span class="word_break" style="display: inline-block; line-height: 20.1000003814697px;"></span><span style="line-height: 20.1000003814697px;">osis希臘原文中的Osmos帶有Impulse推動</span><wbr style="line-height: 20.1000003814697px;"></wbr><span class="word_break" style="display: inline-block; line-height: 20.1000003814697px;"></span><span style="line-height: 20.1000003814697px;">力的意涵, 這力道類似刺激、促進、衝動…。(CON)TEMPOR</span><wbr style="line-height: 20.1000003814697px;"></wbr><span class="word_break" style="display: inline-block; line-height: 20.1000003814697px;"></span><span style="line-height: 20.1000003814697px;">ARY OSMOSIS – 可被作為當代範疇的滲透感;或短暫、暫時性的時間性滲透</span><wbr style="line-height: 20.1000003814697px;"></wbr><span class="word_break" style="display: inline-block; line-height: 20.1000003814697px;"></span><span style="line-height: 20.1000003814697px;">狀態,這層面帶出了一個關係上的依附產生感,再經由連結</span><wbr style="line-height: 20.1000003814697px;"></wbr><span class="word_break" style="display: inline-block; line-height: 20.1000003814697px;"></span><span style="line-height: 20.1000003814697px;">的時間性進一步產生刺點、同化、吸收、異化、相斥…等不</span><wbr style="line-height: 20.1000003814697px;"></wbr><span class="word_break" style="display: inline-block; line-height: 20.1000003814697px;"></span><span style="line-height: 20.1000003814697px;">同的相互推動力。在這影像、錄像媒材被極度快速生產的時</span><wbr style="line-height: 20.1000003814697px;"></wbr><span class="word_break" style="display: inline-block; line-height: 20.1000003814697px;"></span><span style="line-height: 20.1000003814697px;">代,影像語言進入畫素化、分格化、後製過度化,或許一個</span><wbr style="line-height: 20.1000003814697px;"></wbr><span class="word_break" style="display: inline-block; line-height: 20.1000003814697px;"></span><span style="line-height: 20.1000003814697px;">影格滲透下一個影格,是毒害抑或取得平衡,都是在「當。</span><wbr style="line-height: 20.1000003814697px;"></wbr><span class="word_break" style="display: inline-block; line-height: 20.1000003814697px;"></span><span style="line-height: 20.1000003814697px;">滲透影像媒體藝術節2015」以亞洲串聯影像為主的藝術</span><wbr style="line-height: 20.1000003814697px;"></wbr><span class="word_break" style="display: inline-block; line-height: 20.1000003814697px;"></span><span style="line-height: 20.1000003814697px;">節中帶給觀眾的觀感思維主題。</span></span></span></div>
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<span style="background-color: white; color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;">Celebrating the international trends of cooperation betw</span><span class="text_exposed_show" style="background-color: white; color: #444444; display: inline; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;">een arts festivals, tamtamART TAIPEI will host a 6-week arts festival, “(CON)TEMPORARY OSMOSIS - Audiovisual Media festival 2015”, starting from 03/22/2015. During the festival, tamtamART will work with arts organizations from five international cities, Tokyo, Shanghai, Singapore, Seoul, and Lyon and ten local arts organizations around Taiwan, including theaters, music festivals, and contemporary arts spaces to showcase the vibrancy of cross-discipline and cross-organization. Above all, tamtamART is having an unprecedented collaboration with <a data-hovercard="/ajax/hovercard/page.php?id=228401413988166" href="https://www.facebook.com/tfest.tw" style="cursor: pointer; text-decoration: none;">T-Fest 明日音樂祭</a>, an iconic Taipei music festival, to present a digital art section in the music festival with the participation of 80 international curators and artists. </span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px; text-align: left;">During the festival, tamtamART along with curators and artists will hold a variety of activities, including screenings, performances, and talks. In the mean time, tamtamART have come to an agreement with participating foreign arts organizations that, after the festival, art works in Taiwanese section will be featured in a series of traveling exhibitions to five counties of the foreign arts organizations trying to create further communications and more possibilities.</span></div>
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<span style="color: #444444;"><span class="text_exposed_show" style="background-color: white; display: inline;"><span style="line-height: 20.1000003814697px;">Osmosis the diffusion water molecules through a semi-permeable membrane, from a region of higher concentration (solution of low concentration) to a region of lower concentration (solution of high concentration) when concentration inside and that outside the cell are not balanced (isotonic). The word osmosis is from the Greek word “Osmos”, which means an impulse. This kind of force is similar to stimulation, promotion, and compulsion.</span></span></span></div>
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<span style="color: #444444;"><span class="text_exposed_show" style="background-color: white; display: inline;"><span style="font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 20.1000003814697px;"><span style="line-height: 20.1000003814697px;">Contemporary Osmosis: It can be interpreted as the contemporary sense of permeatability, or the temporary or short-term state of permeation. In this aspect, there is a sense of attachment in relationships. Then, through the time of links, various mutual driving forces such as punctum, assimilation, absorption, dissimilation, repulsion, etc. are created. In this age when image and video media can be produced rapidly, image language is pixelized, framized, and over post-produced. Whether the process from one frame into the next through permeation is a process of poisoning or achieving balance is an issue for participants to reflect on during the “(CON)TEMPORARY OSMOSIS - Audiovisual Media festival 2015”, a festival focusing on Asian linked images.</span></span></span></span></div>
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<span lang="EN-US" style="background-color: black; font-family: Arial;"><span style="color: white;">PROGRAM</span></span></div>
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<span style="color: #444444; font-family: Arial;"><u><b>tamtamART + ASC (TW) 120min</b></u></span></div>
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<span style="color: #444444; font-family: Arial;">tamtamART單元邀請五件作品主題圍繞著”生存“,生存的環境、生存的身份、生存的樣貌。影像裡我們可以看到藝術家,他們獨特的影像世界的時空異變,也可以看到多重面向的人物形變。</span></div>
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<span style="color: #444444; font-family: Arial;">The subjects of five art works presented at tamtamART theme encompass existence, such as environments of existence, identities of existence, and appearances of existence. We can see the artists in their images, the unique variation of time and space in their images and the diversified character transformation.</span></div>
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<span style="color: #444444; font-family: Arial;">CURATOR:洪韵婷Yun-Ting Hung & 鄒逸真I-Chen Tsou</span></div>
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<span style="color: #444444; font-family: Arial;">ARTISTS:吳梓寧Tzu-Ning Wu、杜珮詩Pei-Shih Tu、范曉嵐Hsiao-Lan Fan、陳依純I-Chun Chen 、Pacific Romance(葉育君 YuJun Ye X Alexis Mailles)</span></div>
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<span style="color: #444444; font-family: Arial;">ASC單元沒有主題限制,主要是發掘並號召一批在國內外從事影像創作的台灣藝術家一同參與展出,未來也會續介紹串聯更多優秀創者進行各式的跨國合作交流。</span></div>
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<span style="color: #444444; font-family: Arial;">TAIWANew VIEDO ART program focuses on Taiwanese emerging artists who are working from everywhere such as UK, USA, Germany, France, Netherlands, Belgium and Taiwan. These art works are collected together to bring thriving atmosphere; it also seems like onomatopoeia of the meaning of “Tamtam”. The multicultural experiences and arts are echoing the vivid and vigorous “FormosART”!</span></div>
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<span style="color: #444444; font-family: Arial;">CURATOR:何尉民Wei-Ming Ho</span></div>
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<span style="color: #444444; font-family: Arial;">ARTISTS:詹育杰Yu- Chieh Chan、孫瑞鴻Ruey- Horng Sun、樊智銘Chih- Ming Fan、侯建呈Chien Cheng Hou、徐嘒壎Hui-Hsuan Hsu、何昱達Yuda Ho、吳宜曄I-Yeh, Wu、吳燦政Tsan- Cheng Wu、李若玫Jo- Mei LEE、鄭先喻Xian-Yu Zheng </span></div>
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<span style="color: #444444; font-family: Arial;"><u><b>龐畢度/東京前衛影像 Hors Pistes Tokyo (JP) 60min</b></u></span></div>
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<span style="color: #444444; font-family: Arial;">為引進國際新興藝術家,HORS PISTES 東京介紹了亞洲的年輕演藝術家。這個節目多樣性的展示了電影化的表達、錄像藝術、紀錄片以及動畫,此次這些作品是選自 HORS PISTES TOKYO 2011年至2014 年間的作品。</span></div>
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<span style="color: #444444; font-family: Arial;">Well known for introducing international new talents, Hors Pistes Tokyo introduces young Asian artists. This program showcases diversity of filmic expression, video art, documentary and animation,selected from Hors Pistes Tokyo 2011-2014.</span></div>
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<span style="color: #444444; font-family: Arial;">CURATOR:Chizuru Usui</span></div>
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<span style="color: #444444; font-family: Arial;">ARTISTS:Sera FUKUZAKI, Mariko Sugihara, UMMMI , Masayuki Kawai, Shuhei Nishiyama, Isamu HIRABAYASHI</span></div>
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<b><u><span style="color: #444444; font-family: Arial;">上海N分鐘錄像藝術節 </span><span style="color: #444444; font-family: Arial;">N-Minutes Video Art Festival (CH) 60min</span></u></b></div>
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<span style="color: #444444; font-family: Arial;">本專案的選片共有10位演出者入選,以其是否具備相對獨立的思考與創作體系為選片標準;作品不受主題限制,主張開放與實驗,新作與富有探索精神的即有作品將共同呈現今日以中國文化為土壤的影像發展進行時,形成一個局部切面,為更多關注影像藝術的個體與機構提供事件發生場景與輔助線索。</span></div>
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<span style="color: #444444; font-family: Arial;">This project works of 10 artists are selected based on the levels of their independent mind and creation system. The themes are not limited, and are called for more opening and experimental spirits. New works and existing works with new spirits will, together, in part reflect the development of moving image cultivated by Chinese culture, and provide reference and clues for people and institutions interested in moving image.</span></div>
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<span style="color: #444444; font-family: Arial;">CURATOR:黎寧春Ning-Chun Li</span></div>
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<span style="color: #444444; font-family: Arial;">ARTISTS:程然Ran Cheng、易连Elian、蒋志Zhi Jiang、李明</span><span style="color: #444444; font-family: Arial;">Ming Li、李消非Xiao-Fei Li、陆春生Chun-Sheng Lu、木巾Jin Mu、徐喆Zhe Xu、张乐华Le-Hua Zhang、关小Xiao Guan</span></div>
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<span style="color: #444444; font-family: Arial;"><b><u>新加坡藝術村影像單元(SG) 90min</u></b></span></div>
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<span style="color: #444444; font-family: Arial;">這十件藝術村會員們的錄像作品談論關於方法論的實驗,媒材的運用,題材和社會性的錯置。這些藝術家們活躍於多元的領域和藝術平台。作品的敘述方式有著特殊的表演元素和策略。這些錄像作品將表現出符合當代生活中藝術家們創作過程和觀點的相關訊息和意義。</span></div>
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<span style="color: #444444; font-family: Arial;">10 video works by the members of The Artists Village talks about methodological experimentation, medium manipulation, subject and social displacement. The artists are practitioners in various disciplines and artforms. There are distinctive performative elements and strategies in chronicling. The videos will present contextual messages and meanings in accordance with the artists' processes and perspectives in contemporary life.</span></div>
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<span style="color: #444444; font-family: Arial;">CURATOR:Urich Lau</span><br />
<span style="color: #444444; font-family: Arial;">ARTISTS:Marcel Gaspar、Jason J S Lee、Jacquelyn Soo、</span><span style="color: #444444; font-family: Arial;">Christopherson Ho、Chand Chandramohan、</span><span style="color: #444444; font-family: Arial;">Sophia Natasha Wei Junhao(with Mabel Sim Jiahui)、</span><span style="color: #444444; font-family: Arial;">Ezzam Rahman (with Daniela Beltrani)、Urich Lau、</span><span style="color: #444444; font-family: Arial;">Jeremy Hiah、Gilles Massot</span></div>
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<span style="color: #444444; font-family: Arial;"><u><b>韓國影像「未開發之地The Wild」(KR) 90min</b></u></span></div>
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<span style="color: #444444; font-family: Arial;">荒地的感覺透過媒體藝術來表達,是一種可以產生出獨特的美感效果的表演。我們比須試著從宇宙中顯露出的媒體全景去焠鍊出細微的荒地,然後為其注入能量,並且也帶入聽覺的視覺性。這是媒體藝術的基本要素。我們相信韓國的藝術品也能夠為這種美感效果帶來貢獻。</span></div>
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<span style="color: #444444; font-family: Arial;">The feeling of ‘the wild’ which is expressed through the media art, it is a kind of performance that can produce the unique ‘aesthetic effect’. We have to try to extract ‘the-micro-wild’ from the unfolded media-panorama of our universe, and then give energy to it and fold audio-visuality in it as well. It’s the very essence of the media art. We believe that the korean artworks will contribute to that effect also.</span></div>
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<span style="color: #444444; font-family: Arial;">CURATOR:Yongsung Paik</span></div>
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<span style="color: #444444; font-family: Arial;">ARTISTS:</span><span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; color: #444444; line-height: 18.4799995422363px; text-align: justify;">Sinifie、June Park、Hye-Jung Shim、Yoo-Hee Ko、Sook-Hyun Kim、Sang-Woo Kang、Hong-Bing Kim、</span><span style="background-color: #f6f7f8; color: #373e4d; line-height: 16.6399993896484px; white-space: pre-wrap;">Oh-Eun Lee</span></span></div>
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<span style="color: #444444; font-family: Arial;"><b><u>法國影像「來來回回 Round Trip」(FR) 60min</u></b></span></div>
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<span style="color: #444444; font-family: Arial;">這個影像單元是循環且混合的,也是電影和影像之間的對話。它是一個整體,一個從分散且沒人想到可以結合在一起的不同元素中產生的整體。一道藍光:一個視覺數據的儲存空間。在一個由不同背景和時代的業餘攝影師組成的國度中,進行一個小時的旅行。謝謝收看,祝你旅途愉快。</span></div>
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<span style="color: #444444; font-family: Arial;">" "This video program is round trip, a mix, a dialogue between the film and video. It is designed as a whole from disparate elements who did not think get together. This is a blu-ray : a space visual data storage. A journey of an hour and minutes in the land of amateur-camaramen from all backgrounds and all ages. "Thank you for watching" wish you a good trip." "</span></div>
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<span style="color: #444444; font-family: Arial;">CURATOR:Christophe Leymarie</span></div>
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<span style="color: #444444; font-family: Arial;">ARTISTS:Gran Lux、Atelier MTK、anonymous people</span></div>
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<span style="font-family: Arial;"><b style="background-color: black;"><span style="color: #f3f3f3;">TIMETABLE</span></b><br /><br /><u style="color: #444444;"><b>3.22 - 29 12:00 - 18:00</b></u></span></div>
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<span style="color: #444444; font-family: Arial;">空場 Polymer</span></div>
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<span style="color: #444444; font-family: Arial;">Exhibition</span></div>
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<span style="color: #444444; font-family: Arial;">龐畢度/東京前衛影像單元 Hors Pistes Tokyo selection (JP)、上海N分鐘錄像藝術節單元 N-Minutes Video Art Festival selection (CH)、新加坡藝術村影像單元(SG)、韓國影像單元「未開發之地The Wild」(KR)、法國影像單元「循環Loop」(FR)、tamtamART+ASC selection (TW)</span></div>
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<span style="color: #444444; font-family: Arial;"><u><b>3.26 (THU) 14:00 -</b></u></span></div>
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<span style="color: #444444; font-family: Arial;">佳佳.士林珮柏 Papersun Apartment</span></div>
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<span style="color: #444444; font-family: Arial;">Press Conference</span></div>
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<span style="color: #444444; font-family: Arial;"><b><u>3.27 (FRI) 13:00 - 15:30</u></b></span></div>
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<span style="color: #444444; font-family: Arial;">空場 Polymer</span></div>
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<span style="color: #444444; font-family: Arial;">Opening+Performance</span></div>
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<span style="color: #444444; font-family: Arial;">海星星 Wen-Hsin Teng、</span><span style="background-color: white; color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20.1000003814697px;">盧子珩 Ziheng Lu & 楊政Cevo Yang</span><span style="color: #444444; font-family: Arial;">、</span><span style="color: #444444; font-family: Arial;">Dennis Tan&Shark Li Fun</span><span style="color: #444444; font-family: Arial;">、</span><span style="color: #444444; font-family: Arial;">Pacific Romance(葉育君YuJun Ye &Alexis Mailles)、拉菲爾 Rafaël</span></div>
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<span style="color: #444444; font-family: Arial;"><b><u>3.27 (FRI) 18:00 -</u></b></span></div>
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<span style="color: #444444; font-family: Arial;">T Fest – Koener / 爭豔館 EXPO Dome</span></div>
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<span style="color: #444444; font-family: Arial;">Performance</span></div>
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<span style="color: #444444; font-family: Arial;">20:20-20:40 中山晃子 Akiko nakayama</span></div>
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<span style="color: #444444; font-family: Arial;"><u><b>3.28 (SAT) 18:40 -</b></u></span></div>
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<span style="color: #444444; font-family: Arial;">T Fest – Koener / 爭豔館 EXPO Dome</span></div>
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<span style="color: #444444; font-family: Arial;">Performance</span></div>
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<span style="color: #444444; font-family: Arial;">21:00-21:20 拉菲爾 Rafaël</span></div>
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<span style="color: #444444; font-family: Arial;"><b><u>3.28 (SAT) 19:20 -</u></b></span></div>
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<span style="color: #444444; font-family: Arial;">T Fest – Talent / 流行館 Eco ARK</span></div>
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<span style="color: #444444; font-family: Arial;">Performance</span></div>
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<span style="color: #444444; font-family: Arial;">19:20-19:40 海星星 Wen-Hsin Teng</span></div>
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<span style="color: #444444; font-family: Arial;">22:40-23:00 Kim kyung-mi</span></div>
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<span style="color: #444444; font-family: Arial;">23:20-23:40 Dennis Tan&Shark Li Fun</span></div>
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<span style="color: #444444; font-family: Arial;"><u><b>3.29 (SUN) 16:00 - </b></u></span></div>
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<span style="color: #444444; font-family: Arial;">T Fest – Talent / 流行館 Eco ARK</span></div>
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<span style="color: #444444; font-family: Arial;">Performance</span></div>
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<span style="color: #444444; font-family: Arial;">16:00-16:20 Pacific Romance (葉育君YuJun Ye X Alexis Mailles)</span></div>
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<span style="color: #444444; font-family: Arial;">18:00-18:20 張欣 Sheryl Cheung</span></div>
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<span style="color: #444444; font-family: Arial;">20:00-20:20 鄭先喻 Xian-Yu Zheng</span></div>
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<span style="color: #444444; font-family: Arial;">22:00-22:20 西山修平 Shuhei Nishiyama</span></div>
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<span style="color: #444444; font-family: Arial;"><u><b>4.4 (SAT) 19:00 -</b></u></span></div>
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<span style="color: #444444; font-family: Arial;">失聲祭 LSF / 躁咖 Changee</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Performance</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">西原尚 Nao Nishihara & 藤田龍平 Ryuhei Fujita、拉菲爾 Rafaël 、</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20.1000003814697px;"><span style="color: #444444;">盧子珩 Ziheng Lu&楊政Cevo Yang</span></span><span style="color: #444444; font-family: Arial;">、謝瀞瑩 Olifa Hsieh</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><u><b>4.4 (SAT) 15:00 -</b></u></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">打開當代工作站 OCAC</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Projection + Conference</span></div>
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<span style="color: #444444; font-family: Arial;">Projection:15:00-16:30 (SG)</span></div>
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<span style="color: #444444; font-family: Arial;">Conference:16:30-17:30</span></div>
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<span style="color: #444444; font-family: Arial;">Attendee:Urich Lau、羅仕東 Shih-Tung Lo、鄒逸真 I-Chen Tsou、</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">洪韵婷 Yun-Ting Hung </span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><u><b>4.5 (SUN) 13:00 -</b></u></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">打開當代工作站 OCAC</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Projection + Conference</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Projection:</span><span style="color: #444444; font-family: Arial;">15:00-16:30</span><span style="color: #444444; font-family: Arial;">(KR)</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Conference:</span><span style="color: #444444; font-family: Arial;">16:30-17:30</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Attendee:Yongsung Paik、易連 Elian、羅禾淋 He-Lin Luo、</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">何尉民 Wei-Ming Ho</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><u><b>4.11(SAT) 13:00 -</b></u></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">自由人公寓 Freedom Men Apartments</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Projection</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">13:00-14:30 (KR)、14:30-16:00 (SG)、16:00-18:00 (TW)、</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">18:00-19:00 (JP)、19:00-20:00 (CH)、20:00-21:00 (FR)</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><u><b>4.12 (SUN) 13:00 -</b></u></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">自由人公寓 Freedom Men Apartments</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Projection + Conference</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Projection:13:00-14:00 (JP)、14:00-15:00 (CH)、15:00-16:00 (FR)、</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">18:00-19:30 (KR)、19:30-21:00 (SG)</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Conference:16:15-17:30</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Attendee:李茗哲 Ming-Teh Lee、莊培鑫 Pei-Hsin Chuang 、黃彥超Jonathan Y.C. Huang、許怡慈 Yi-Tzu Hu、洪韵婷 Yun-Ting Hung、</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">鄒逸真 I-Chen Tsou、何尉民 Wei-Ming Ho</span></div>
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<br /></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><u><b>4.18 (SAT) 15:00 -</b></u></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">院子劇場 Yard / Theatre </span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"> Projection + Conference</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Projection:2F:15:00-17:00 (TW)、17:00-18:00 (JP)、18:30-20:00 (KR)</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"> 3F:15:00-16:00 (CH)、16:00-17:00 (FR)、17:30-19:00 (SG)</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Performance+Conference:20:00-21:00</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Attendee:Gilles Massot、劉芳一 Fang-Yi Liu、謝奉珍 Feng-Chen Hsieh、Urich Lau、</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">洪韵婷 Yun-Ting Hung、鄒逸真 I-Chen Tsou、何尉民 Wei-Ming Ho</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><b><u>4.19 (SUN) 15:00 -</u></b></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">院子劇場 Yard / Theatre </span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Projection</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">2F:15:00-17:00 (TW)、17:00-18:00 (JP)、18:30-20:00 (KR)</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">3F:15:00-16:30 (SG)、16:30-17:30 (CH)、18:00-19:00 (FR)</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><u><b>4.25 (SAT) 14:00 -</b></u></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">江山藝改所 Jiang Shan Yi Gai Suo </span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444;"><span style="font-family: Arial;">Projection:</span><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20.1000003814697px;">4/</span><wbr style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20.1000003814697px;"></wbr><span class="word_break" style="background-color: white; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20.1000003814697px;"></span><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20.1000003814697px;">25 14:00-16:00 (CH+FR)、16:00-18:00 (TW)<br />Conference:19:30-21:30 </span></span><br />
<span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20.1000003814697px;"><span style="color: #444444;">Attendee:林書民Shu-Min Lin、陳宜君 Yi-Chun Chen、張登堯Deng-Yao Chang、洪韵婷 Yun-Ting Hung、鄒逸真 I-Chen Tsou、何尉民 Wei-Ming Ho</span></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><br /></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><b><u>4.26 (SUN) 15:00 -</u></b></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">江山藝改所 Jiang Shan Yi Gai Suo</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">Projection</span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;"><span lang="EN-US"></span></span></div>
<div class="MsoNormal" style="mso-pagination: widow-orphan; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #444444; font-family: Arial;">15:00-17:30 (JP+KR)、19:30-21:00 (SG)</span><br />
<span style="color: #444444; font-family: Arial;"><br /></span>
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<br /></div>
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<br /></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: bold; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><span style="color: white;">CO - ORGANIZER</span></span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Instant 42</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">長榮大學美術系 Department of Fine Arts, Chang Jung Christian University </span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: justify;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: bold; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> </span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: justify;">
<br /></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: bold; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><span style="color: white;">COOPERATION</span></span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: justify;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">龐畢度HORS PISTES/日本東京前衛影像藝術節 HORS PISTES TOKYO</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: justify;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">中國上海N分鐘錄像藝術節 N-Minutes Video Art Festival</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: justify;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">新加坡藝術村 The Artists Village (TAV)</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: justify;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">韓國石蕊社區藝術空間Community space Litmus</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Le Gran Lux當代藝術空間</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Ker*計劃空間</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: justify;">
<span style="background-color: white; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">明日音樂祭 T FEST</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">打開-當代藝術工作站 </span><span style="background-color: white; color: #141823; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Open-Contemporary Art Center (OCAC)</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">失聲祭 </span><span style="background-color: white; color: #141823; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Lacking Sound Festival</span><span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> (LSF)</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: justify;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">空場 Polymer</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt; text-align: justify;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">自由人藝術公寓 </span><span style="background-color: white; color: #141823; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Freedom Men Apartments</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">院子劇場 </span><span style="background-color: white; color: #141823; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Yard / Theatre</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">江山藝改所Jiang Shan Yi Gai Suo</span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-22982327175292665932014-12-17T18:11:00.001-08:002014-12-17T18:17:51.150-08:00<span style="color: #444444; font-family: Verdana, sans-serif; font-size: x-large;"><span style="background-color: white; line-height: 19.2000007629395px;"><u><b>為何每當我們憶起心所愛的,</b></u></span></span><br />
<span style="color: #444444; font-family: Verdana, sans-serif; font-size: x-large;"><u><b><span style="background-color: white; line-height: 19.2000007629395px;">眼底總是</span><wbr style="background-color: white; line-height: 19.2000007629395px;"></wbr><span class="word_break" style="background-color: white; display: inline-block; line-height: 19.2000007629395px;"></span><span style="background-color: white; line-height: 19.2000007629395px;">一陣風吹沙?</span></b></u></span><br />
<b><span style="color: #444444; font-family: Verdana, sans-serif; font-size: x-large;"><u>Why does the wind blow </u></span></b><br />
<b><span style="color: #444444; font-family: Verdana, sans-serif; font-size: x-large;"><u>whenever we remember loved ones?</u></span></b><br />
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<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"><br /></span>
<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">立方計劃空間與獨立策展人蔡家榛以及tamtamART</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"> TAIPEI IPIX 合作,於12月20日推出韓國藝術家安正柱(Jungj</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">u AN)與全昭侹(Sojung JUN)的雙人展《為何每當我們憶起心所愛的,眼底總是</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">一陣風吹沙?》--此標題取自前南斯拉夫導演庫斯杜力卡</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">(Emir Kusturica)《地下社會》(Undergrou</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">nd, 1995)中的對白。</span><br />
<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">這項展覽計劃著眼於「錄像作品對政治現實的敘事語法,以</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">及情境的建構與表達」,並區分為兩部份,動態影像作品於</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">立方計劃空間展出;而聲音作品的計劃於tamtamAR</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">T TAIPEI IPIX 呈現。此外,展覽並邀請了台灣的江凌青、李立鈞,韓國的</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">李水妍(Sooyoun LEE,韓國現當代美術館策展人)、安素賢(Sohyu</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">n AHN,白南準藝術中心策展人)以第一人稱的筆法與角度</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">,撰寫一個游走於依據現實作品或展覽場域而擬想出的藝術</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">場景的小說/散文文本。</span><br />
<br style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;" />
<br style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;" />
<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">◤ Part I 影像場 ◥</span><br />
<br style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;" />
<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">開幕|2014.12.20(六) 下午3點</span><br />
<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">展期|2014.12.20 – 2015.3.8 (2015.1.1-1.4期間不開放)</span><br />
<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">開放時間|周三 – 日 下午2 – 8點 (周一、二不開放)</span><br />
<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">地點|立方計劃空間 (台北市羅斯福路四段136巷1弄13號2樓)</span><br />
<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">(</span><a href="https://www.facebook.com/thecubespace" rel="nofollow" style="background-color: white; color: #3b5998; cursor: pointer; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px; text-decoration: none;">https://www.facebook.com/<wbr></wbr><span class="word_break" style="display: inline-block;"></span>thecubespace</a><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">)</span><span class="text_exposed_show" style="background-color: white; color: #141823; display: inline; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"><br />交通| 捷運公館站1號出口,水源市場東側-東南亞戲院後方巷弄<wbr></wbr><span class="word_break" style="display: inline-block;"></span>,韓一閣餐廳樓上<br /><br />策展人|蔡家榛<br />助理策展人|梁以妮<br />藝術家 | 安正柱 全昭侹<br /><br /><br />◤ Part II 敘事與聲音 ◥<br /><br />開幕|2014.12.19(五)晚上8點<br />展期|2014.12.19 – 2015.1.10<br />展覽地點|tamtamART TAIPEI . IPIX (台北市北平東路20-3號)</span><br />
<span class="text_exposed_show" style="background-color: white; color: #141823; display: inline; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">(<a href="https://www.facebook.com/www.tamtamarttaipeiipix?fref=ts" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;">https://www.facebook.com/<wbr></wbr><span class="word_break" style="display: inline-block;"></span>www.tamtamarttaipeiipix?fre<wbr></wbr><span class="word_break" style="display: inline-block;"></span>f=ts</a>)<br />開放時間|周四 – 五 下午5-8點;周六-日 下午5-8點<br /><br />策展人|全昭侹、蔡家榛<br />助理策展人|梁以妮<br />創作文字撰寫|江凌青、李立鈞、李水妍、安素賢<br />聲音配置|曹良賓、蔡家榛、梁以妮<br /><br /><br /><br />=關於展覽=<br />文/蔡家榛<br /><br />看似詩意,或者說有點搧情的標題句,乃取自前南斯拉夫導<wbr></wbr><span class="word_break" style="display: inline-block;"></span>演庫斯杜力卡(Emir Kusturica)《地下社會》(Undergrou<wbr></wbr><span class="word_break" style="display: inline-block;"></span>nd, 1995)中的對白。《地下社會》一片以類後設手法的劇<wbr></wbr><span class="word_break" style="display: inline-block;"></span>情諷喻南斯拉夫的政治與歷史現實:「從電影外觀上細究,<wbr></wbr><span class="word_break" style="display: inline-block;"></span>懷舊的影像質感、搖晃旋轉的鏡頭、快速流動的蒙太奇、荒<wbr></wbr><span class="word_break" style="display: inline-block;"></span>誕又駁雜的劇情、混亂的物件、詼諧的肢體與對白、狂歡的<wbr></wbr><span class="word_break" style="display: inline-block;"></span>配樂及氛圍、超現實主義意象等特色,混雜著後現代主義的<wbr></wbr><span class="word_break" style="display: inline-block;"></span>通俗性、現代主義的前衛性、東歐傳統的奇幻文學等風格,<wbr></wbr><span class="word_break" style="display: inline-block;"></span>使電影呈現出「一團混亂」,而以「混亂」的手法再現一個<wbr></wbr><span class="word_break" style="display: inline-block;"></span>國家(前南斯拉夫長達半世紀)的政治與歷史(1945-<wbr></wbr><span class="word_break" style="display: inline-block;"></span>1991),雖不至罕見,卻可謂大膽。這些批評聲浪涉及<wbr></wbr><span class="word_break" style="display: inline-block;"></span>了傳統藝術對想像力的侷限,是否唯有「看似寫實」的手法<wbr></wbr><span class="word_break" style="display: inline-block;"></span>才能再現一段真實的歷史,或進行批判的著力點呢? 『現在,在《地下社會》中我所要做的,就是馬戲團表演。<wbr></wbr><span class="word_break" style="display: inline-block;"></span>這是處理南斯拉夫持續的問題,唯一可行的方法。』--庫<wbr></wbr><span class="word_break" style="display: inline-block;"></span>斯杜力卡」[1]<br /><br />沿用《地下社會》的敘事手法,本次展覽將著眼於「錄像作<wbr></wbr><span class="word_break" style="display: inline-block;"></span>品對政治現實的敘事語法,以及情境的建構與表達」。藝術<wbr></wbr><span class="word_break" style="display: inline-block;"></span>家則是邀請了安正柱(Jungju AN)與全昭侹(Sojung JU)這兩位韓國年輕優秀的藝術家,兩人平時在大學任教<wbr></wbr><span class="word_break" style="display: inline-block;"></span>,也經常獲得國外駐村機會,這些經驗也豐富了他們對拍攝<wbr></wbr><span class="word_break" style="display: inline-block;"></span>對象及現象的敏銳觀察,進而擴及作品的表現視野。<br /><br />安正柱著眼現代社會中那個以進步為名,實則抹去個體多樣<wbr></wbr><span class="word_break" style="display: inline-block;"></span>性而整併為單一秩序的政治手段,比如工廠裡的標準化作業<wbr></wbr><span class="word_break" style="display: inline-block;"></span>、都市更新的拆除、整齊劃一的軍儀隊⋯⋯等,面對著這個<wbr></wbr><span class="word_break" style="display: inline-block;"></span>現代化之惡,安正柱不僅重新編製了視覺影像的呈現秩序,<wbr></wbr><span class="word_break" style="display: inline-block;"></span>影像也配合著簡單又透著幽默口吻的旋律節點閃現,似乎諷<wbr></wbr><span class="word_break" style="display: inline-block;"></span>喻了現代化場景及其荒謬,也表現了以藝術批判當代社會之<wbr></wbr><span class="word_break" style="display: inline-block;"></span>趣。相對於安正柱,全昭侹的《邊緣人》(Margina<wbr></wbr><span class="word_break" style="display: inline-block;"></span>l Person Series)系列作品則從人物誌的紀錄片角度切入,多<wbr></wbr><span class="word_break" style="display: inline-block;"></span>次拜訪並逐漸貼近主角的日常生活之後再拍攝那些仍堅守在<wbr></wbr><span class="word_break" style="display: inline-block;"></span>已然被現代社會淘汰的夕陽產業裡的「最後一個人」,諸如<wbr></wbr><span class="word_break" style="display: inline-block;"></span>電影看板的畫板師、鑄字行、傳統節慶的表演者,他們堅持<wbr></wbr><span class="word_break" style="display: inline-block;"></span>的「個體、手工製作」與姿態,完全站在現代化發展的相反<wbr></wbr><span class="word_break" style="display: inline-block;"></span>面上,時代的發展不僅改變了他們的生命敘事,也改弦易轍<wbr></wbr><span class="word_break" style="display: inline-block;"></span>了他們的專業在整體發展的角色與位置,這個對立的狀態甚<wbr></wbr><span class="word_break" style="display: inline-block;"></span>至隱含了政治施加的種種作用所造就的現實,譬如《重拾的<wbr></wbr><span class="word_break" style="display: inline-block;"></span>時光》(Time Regained)中的電影畫板師,在訪談後才知其年輕<wbr></wbr><span class="word_break" style="display: inline-block;"></span>時是參與過光州事件[2]的藝術學系學生。<br /><br />除了呈現兩位藝術家的錄像作品,全昭侹與筆者曾在巴黎一<wbr></wbr><span class="word_break" style="display: inline-block;"></span>同駐村時,彼此就着錄像以至當代藝術的敘事表達有所感觸<wbr></wbr><span class="word_break" style="display: inline-block;"></span>並有多次的討論,激盪出著眼於「敘事表達能力」的計劃,<wbr></wbr><span class="word_break" style="display: inline-block;"></span>如果以「說出好故事,把故事好好說清楚、說得動人」來簡<wbr></wbr><span class="word_break" style="display: inline-block;"></span>單詮解「敘事與表達」這件事,那麼「想像力」可能是基本<wbr></wbr><span class="word_break" style="display: inline-block;"></span>功,當代藝術經常地關注並批判當代社會的政治現實,但透<wbr></wbr><span class="word_break" style="display: inline-block;"></span>過藝術作品呈現的批判力道終是遠不如社會運動,那麼藝術<wbr></wbr><span class="word_break" style="display: inline-block;"></span>究竟該如何表現,才能使其有所作用力?我們認為「想像」<wbr></wbr><span class="word_break" style="display: inline-block;"></span>是突破既有框架的可能途徑:透過「想像」對不完滿的現實<wbr></wbr><span class="word_break" style="display: inline-block;"></span>提出另一種可能的景象。當代的社會或藝術可能不缺批判,<wbr></wbr><span class="word_break" style="display: inline-block;"></span>但我們或許都匱缺以想像力來脫離現前的困境,以至於詞窮<wbr></wbr><span class="word_break" style="display: inline-block;"></span>而致使疲乏無力。<br /><br />所以在本次展覽也另邀請了台灣的江凌青、李立鈞,韓國的<wbr></wbr><span class="word_break" style="display: inline-block;"></span>李水妍(Sooyoun Lee,韓國現當代美術館策展人)、安素賢(Sohyu<wbr></wbr><span class="word_break" style="display: inline-block;"></span>n Ahn,白南準藝術中心策展人)以第一人稱的筆法與角度<wbr></wbr><span class="word_break" style="display: inline-block;"></span>,撰寫一個游走於依據現實作品或展覽場域而擬想出的藝術<wbr></wbr><span class="word_break" style="display: inline-block;"></span>場景的小說/散文文本,而展場設計將盡可能抽離所有視覺<wbr></wbr><span class="word_break" style="display: inline-block;"></span>之物,意即沒有任何影像,僅以聲音設備播放配音敘事文本<wbr></wbr><span class="word_break" style="display: inline-block;"></span>的聲音,閱聽者將在空無一物的展場,隨著第一人稱的述說<wbr></wbr><span class="word_break" style="display: inline-block;"></span>,進入一個看不見但存在,而且可能是穿越多樣性的場域中<wbr></wbr><span class="word_break" style="display: inline-block;"></span>,我們期待閱聽者據着聲音文本進而想像、構築寫者與配音<wbr></wbr><span class="word_break" style="display: inline-block;"></span>員所演繹的藝術場景,激發出閱聽者成為藝術場域中「主動<wbr></wbr><span class="word_break" style="display: inline-block;"></span>」角色的動能。<br /><br />本次展覽將分別在兩個空間中呈現安正柱與全昭侹的動態影<wbr></wbr><span class="word_break" style="display: inline-block;"></span>像作品於立方計劃空間展出;而聲音作品的計劃於tamt<wbr></wbr><span class="word_break" style="display: inline-block;"></span>amART TAIPEI IPIX 呈現。<br /><br />註[1] 節錄自財團法人國家電影中心 放映週報網站2009年第221期 影迷私房貨|私房影評之專欄 :解構真實與虛構的後現代政治劇場──庫斯杜力卡的《地<wbr></wbr><span class="word_break" style="display: inline-block;"></span>下社會》<br />註[2] 請參考維基百科:光州民主化運動<br /><br /><br />=關於藝術家=<br /><br />░ 全昭侹 Sojung JUN<br />1982生於韓國釜山,首爾國立大學雕塑藝術學士及延世<wbr></wbr><span class="word_break" style="display: inline-block;"></span>大學藝術碩士,現居首爾創作。<br />專長為錄像及表演藝術。2009年首爾成均藝廊「一人劇<wbr></wbr><span class="word_break" style="display: inline-block;"></span>場」個展時,她破除劇場形式,以單一個體建構行為表演的<wbr></wbr><span class="word_break" style="display: inline-block;"></span>整體性,用系列影像紀錄想法。創作以來,她也關注時間與<wbr></wbr><span class="word_break" style="display: inline-block;"></span>生活中的重複情緒經驗,可以發現藝術家一定程度的細膩敘<wbr></wbr><span class="word_break" style="display: inline-block;"></span>述力,全昭侹以個人經歷或故事為文本,她的作品中顯露出<wbr></wbr><span class="word_break" style="display: inline-block;"></span>一種感性的能量,而正是那股力量引領著她的創作。201<wbr></wbr><span class="word_break" style="display: inline-block;"></span>2年曾在臺北國際藝術村參與作品駐村計劃。個展經驗包括<wbr></wbr><span class="word_break" style="display: inline-block;"></span>2012年首爾工廠畫廊「側邊之側」與首爾Zandar<wbr></wbr><span class="word_break" style="display: inline-block;"></span>i藝廊「藝術習慣」;2010年首爾Insa藝術空間「<wbr></wbr><span class="word_break" style="display: inline-block;"></span>正如你鍾意」與斯特拉斯堡歐洲當代藝術行動中心「六個夜<wbr></wbr><span class="word_break" style="display: inline-block;"></span>晚」等。聯展經驗包括2009年日本橫濱馬車道校區「C<wbr></wbr><span class="word_break" style="display: inline-block;"></span>ream:橫濱國際媒體藝術節」、2009年韓國HAN<wbr></wbr><span class="word_break" style="display: inline-block;"></span>MI攝影美術館「攝影魅力」、與2008年巴黎Debu<wbr></wbr><span class="word_break" style="display: inline-block;"></span>raux Aponem畫廊「韓國當代藝術」等。<br /><br />░ 安正柱 Jungju AN<br />1979生於韓國光州,首爾國立大學藝術學士及延世大學<wbr></wbr><span class="word_break" style="display: inline-block;"></span>藝術碩士,現居首爾創作。<br />他特別關注人與他方的關連,從他的錄像作品中也可見他擅<wbr></wbr><span class="word_break" style="display: inline-block;"></span>長的影像與聲音配置。偏好自日常取材,編輯成富有節奏感<wbr></wbr><span class="word_break" style="display: inline-block;"></span>的音調,演繹成一種擬真敘事語言,創造出具獨特性的交響<wbr></wbr><span class="word_break" style="display: inline-block;"></span>樂章,例如那些在樹叢間嬉戲的風、柏油路上的腳步聲、亦<wbr></wbr><span class="word_break" style="display: inline-block;"></span>或是瀰漫人群的私語聲,都是他的聲音元素。這種製作方式<wbr></wbr><span class="word_break" style="display: inline-block;"></span>就像是DJ,從模擬聲音或真實的聲音混成不同的音調元素<wbr></wbr><span class="word_break" style="display: inline-block;"></span>,再藉此創作獨特的數位配樂。最後再加上他所錄製的影像<wbr></wbr><span class="word_break" style="display: inline-block;"></span>排列成他日常聲景。<br />曾展覽於柏林貝塔寧藝術之家、赫爾辛基國際藝術計劃、首<wbr></wbr><span class="word_break" style="display: inline-block;"></span>爾錦湖美術館與首爾Newgate藝術論壇。聯展經驗包<wbr></wbr><span class="word_break" style="display: inline-block;"></span>括橫濱當代藝術動態影像庫、北京美術館、巴黎科學工業城<wbr></wbr><span class="word_break" style="display: inline-block;"></span>、上海現代美術館、首爾Insa藝術中心、馬德里ARC<wbr></wbr><span class="word_break" style="display: inline-block;"></span>O 07以及韓國果川市國立現代美術館。<br /><br /><br />=關於策展人=<br /><br />░ 蔡家榛<br />1979生於台灣高雄,現居台北。國立台北藝術大學藝術<wbr></wbr><span class="word_break" style="display: inline-block;"></span>評論組碩士。<br />獨立策展人,並與四位夥伴自2013年6月共同經營非營<wbr></wbr><span class="word_break" style="display: inline-block;"></span>利藝術空間tamtamART TAIPEI。<br /><br /><br />主辦:立方計劃空間、tamtamART TAIPEI IPIX<br />贊助:國家文化藝術基金會<br />空間與器材贊助:鏡花園、Samsung<br />特別感謝:十二點原生概念有限公司<br /><br />--------------------------<wbr></wbr><span class="word_break" style="display: inline-block;"></span>--------------------------<wbr></wbr><span class="word_break" style="display: inline-block;"></span>--------------------------<wbr></wbr><span class="word_break" style="display: inline-block;"></span>----------------<br /><br />◤ Part I Video ◥<br /><br />Opening reception |15:00 / December 20th, 2014<br />Date| December 20th,2014 – March 8th, 2015 ( Wed-Sun 2-8pm)<br />Venue|TheCube Project Space ( 2F, No 13, Aly 1, Ln 136, Sec 4, Roosevelt Rd, Taipei, Taiwan )<br />(<a href="https://www.facebook.com/thecubespace" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;">https://www.facebook.com/<wbr></wbr><span class="word_break" style="display: inline-block;"></span>thecubespace</a>)<br /><br />Curator|TSAI Jia-zhen<br />Assistant curator|LIANG I-ni<br />Artists | Jungju AN, Sojung JUN<br /><br /><br />◤ Part II Narratives and Sound ◥<br /><br />Opening reception |20:00 / December 19th, 2014<br />Date| December 19th,2014 – January 10th, 2015 ( Thu-Fri 5-8pm ; Sat-Sun 2-7pm )<br />{Closed : 2015.1.1-1.4 }<br />Venue|tamtamART TAIPEI . IPIX (No.20-3, Beiping E. Rd., Taipei, Taiwan )<br />(<a href="https://www.facebook.com/www.tamtamarttaipeiipix?fref=ts" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;">https://www.facebook.com/<wbr></wbr><span class="word_break" style="display: inline-block;"></span>www.tamtamarttaipeiipix?fre<wbr></wbr><span class="word_break" style="display: inline-block;"></span>f=ts</a>)<br /><br />Curators|Sojung JUN, TSAI Jia-zhen<br />Assistant curator|LIANG I-ni<br />Artists | Jungju AN, Sojung JUN<br />Script | CHIANG Ling-Ching, LEE Li-chun, Sooyoun LEE, Sohyun AHN<br />Voice | TSAO Liang-pin, TSAI Jia-zhen, LIANG I-ni<br /><br /><br /><br />= About the exhibition =<br />By / TSAI Jia-zhen<br /><br />This seemingly poetic, or somewhat sentimental title is taken from a dialogue in the film Underground (1995) by former Yugoslavia director Emir Kusturica. Underground utilizes metaplot to insinuate the political and historical reality of Yugoslavia: “A deliberate study of the film suggests, the characteristics of nostalgic textures, revolving lens, swift montages, absurd and disparate plots, chaotic objects, whimsical physicality and dialogue, reveled soundtrack and ambience, surrealist imagery, bred with the popularity of postmodernism, vanguard of modernism, and style of East European fantasy literature, creates a “mess” of a film and this “chaos” reproduces the politics and history (1945-1991) of a country (the former Yugoslavia spans over half a century). Although not entirely uncommon, the film can be described as daring. Waves of criticism correlate limitations of our imagination to traditional art, and raise the question: Is a “seemingly realistic” approach the only way to represent authentic history or the sole nucleus for critique? “The thing that needs to be done in Underground is a circus act. This is the only feasible method in the ongoing problems of Yugoslavia.” – Emir Kusturica[1]<br /><br />Adopting the narration of Underground, this exhibition will focus on the “narrative syntax of political reality in video works and its construction and expression of context,” inviting two young Korean artists Jungju An and Sojung Jun, who also teach in the university, and often partake in residencies abroad, which have astutely enriched their observation of subjects and phenomena, expanding the expression of their work.<br /><br />Jungju An focuses on an erasure of individuality in the name of modern progress, which conflates into unitary order under political means, such as standardized operations in factories, demolition in urban renewal, the uniformity of honor guards…etc. In countering the evils of modernization, An not only re-establishes the sequence images are presented, the imagery also flickers against an effortless and comical melody, akin to modernized settings and their absurdity, while also exhibiting social critique through art. Sojung Jun, on the other hand, cuts in from the angle of documentary portraiture in Marginal Person Series. Jun pays several visits to his protagonists, comprehending their daily lives and filming those that remain as “the last person” in the declining sunset industries of modern society, including film poster painters, type foundries, and performers of traditional festivals. The insistence on “individuality,” “craft” and attitude, stands in stark opposition to modern development, while time has not only changed their narratives, but also altered the role and position their expertise hold in evolution. This opposition illuminates realities affected by politically imposed actions, as we realize that the film poster painter was involved in the Gwangju Uprising[2] as an art student in Time Regained.<br /><br />Aside from presenting the video works of both artists, Jun was also at the same residency as myself in Paris. With our thoughts and discussions on the narrative expression of contemporary art, we developed a project based on “narrative skills.” If “narrative and expression” is simply interpreted as “telling good stories in clarity and eloquence,” then “imagination” may be essential. Contemporary art may often attend and critique political realities of modern society, but its strength is incomparable to social movements, and so how is art—to transform itself—to assert force? We believe that “imagination” is the only way to break through existing frameworks: In “imagining” other possibilities beyond flawed realities. Though contemporary society and art have no shortage of critique, we may lack the imagination to escape current hindrances, to the point of exhaustion and fatigue.<br /><br />We have also invited Chiang Ling-Ching (Taiwan), Lee Li-Chun (Taiwan) and Sooyoun Lee (Curator, National Museum of Contemporary Art, Korea), and Sohyun Ahn (Curator, Nam June Paik Art Center) to construct a novel/prose in first person, shifting between the work and venue of the exhibition, while the space is vacant of all visuality, only voices narrating texts that are played on audio devices. The auditor listens to the narration in the empty venue and enters an imperceptible but existent field of multiplicity. We are hopeful that the auditor imagines and constructs scenes according to text and interpretation of the writer and narrator, motivated in becoming an “active” role in the art venue.<br /><br />This exhibition will be presented in two spaces—with the video works of Jungju An and Sojung Jun at TheCube and sound projects at tamtamART TAIPEI IPIX.<br /><br />[1] Zhong, Yue-Ming. Excerpt from “Deconstructing reality and fiction in postmodern political theater—Undergound by Emir Kusturica,” Funscreen (Issue 221, August 21, 2009), Taiwan Film Institute.<br />[2]The Gwangju Uprising, also known as Gwangju Democratization Movement, refers to the popular uprising in the city of Gwangju, South Korea from May 18 to 27, 1980, with citizens taking up arms after local students were billed and beaten in unprecedented attack by government troops.<br /><br /><br /><br />= About the artists =<br /><br />░ Sojung JUN<br />lives and works in Seoul, Korea<br />(b. 1982 Busan, Korea) received a BFA in Sculpture from Seoul National University and an MFA from Yonsei University. She is known for her video and performance art. One of her solo exhibitions, One Man Theater, which was shown in Sungkyun Gallery in Seoul in 2009, demonstrates Jun’s interest in producing a series of related shots that constitute a complete unit of action. The artist has been intrigued by the concept of time and the repetitive experience of emotion in our life. Her feminine qualities are expressed to a certain extent. Underscoring sensational value in her works of art, Jun delivers her personal experience or story that motivates her creativity.Selected solo exhibitions include The other side of the other side at Gallery Factory, Seoul, Korea in 2012; The Habit of Art at Gallery Zandari, Seoul, Korea, in 2012; As you like it at Insa Art Space, Seoul, Korea, in 2010; and Six Nuits at Centre Européen d'Actions Artistiques Contemporaines, Strasbourg, France, in 2010. Selected group exhibitions include Cream: International Festival for Arts and Media Yokohama 2009 at Bashamichi Campus, Yokohama, Japan; The Magic of Photography at HANMI Photograph Museum, Seoul in 2009; Korean Contemporary Art at Galaria Deburaux Aponem, Paris in 2008.<br /><br /><br />░ Jungju AN<br />lives and works in Seoul, Korea<br />(b. 1979 in Gwangju, Korea) He received his BFA degree from the Seoul National University in Seoul, Korea and his MFA degree from the Yonsei University in Seoul, Korea.<br /><br />Jungju An sheds light on a range of issues that concern people in different places across the world, giving universal expression to such themes in his video works by employing a particular composition of images and sound. He demonstrates a preference for the rhythms and sounds of everyday life and their onomatopoeic linguistic descriptions, which he combines to create individualistic symphonies: the wind in the trees, footsteps on asphalt, or the diffuse murmur of voices in a crowd. Working like a DJ, Jungju An creates digital assemblages from different linguistic elements that imitate sounds and so creates veritable sound scores, which he uses later to accompany his own recorded video sequences of everyday situations.<br /><br />He has exhibited at Kunstlerhaus Bethanien GmbH in Berlin, HIAP in Helsinki, Kumho Museum of Art in Seoul and ArtForum Newgate in Seoul. He took part in group exhibitions at MIACA in Yokohama, Beijing Museum, Cite des Sciences et de I’industrie in Paris, Shanghai Modern Art Museum, Insa Art Center in Seoul, ARCO 07 in Madrid and at the National Museum of Contemporary Art in Gwacheon, Korea.<br /><br /><br /><br />= About the curator =<br /><br />░ TSAI Jia-zhen<br />1979 was born in Kaohsiung, Taiwan, Jia-Zhen Tsai received a M.F.A in Contemporary Art Critics Theory from National Taipei University of Fine Art.She is an independent curator now, and runs a non-profit art space tamtamART TAIPEI with other four members since 2013 June until now.<br /><br /><br />Co-organizers:<br />TheCube Project Space, tamtamART TAIPEI IPIX<br />Sponsor: National Culture and Arts Foundation<br />Space and equipment sponsors:IPIX、Samsung<br />Special thanks: 十二點原生概念有限公司</span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-22552206507579017252014-11-13T18:00:00.005-08:002014-11-13T18:05:00.129-08:00<b><span style="color: #444444; font-size: x-large;"><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19.2000007629395px;">瑞士小屋 – 觀賞用電影</span><br style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19.2000007629395px;" /><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19.2000007629395px;">Chalet Suisse - Ornamental Films</span></span></b><br />
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<b><span style="color: #444444;"><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: large; line-height: 19.2000007629395px;">2014.11.16 - 2014.11.30</span><br style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;" /><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"><br /></span></span></b><br />
<b><span style="color: #444444;"><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">開幕:2014.11.16 16pm</span><br style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;" /><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">開幕表演:Olivier Dutel & Gaëlle Joly</span></span></b><br />
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<b><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"><br /></span></b>
<b><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"><br /></span></b>
<span style="color: #444444;"><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">Chalet Suisse是一個類流浪標誌,自由的開放所有物件、影</span><wbr style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></wbr><span class="word_break" style="background-color: white; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></span><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">像、空間的關係。</span></span><br />
<span style="color: #444444;"><br style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;" /></span>
<span style="background-color: white; color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">tamtamART這次邀請來自法國實驗空間Le Gran Lux 其中兩位藝術家Olivier Dutel & Gaëlle Joly 展出16mm實驗電影系列作品,以及明信片系列作品。</span><br />
<span style="color: #444444;"><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">Le Gran Lux 是一個極具實驗性的當代藝術空間,並靈活的涵蓋展演各類</span><wbr style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></wbr><span class="word_break" style="background-color: white; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"></span><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">型的藝術形式,尤其在電影、影像、聲音、戲劇…等。</span><span class="text_exposed_show" style="background-color: white; display: inline; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"><br /><br /><br />主辦單位:<br />tamtamART Taipei / <a href="http://www.tamtamart.de/" rel="nofollow nofollow" style="cursor: pointer; text-decoration: none;" target="_blank">http://www.tamtamart.de/</a><br />chalet-suisse / <a href="http://chalet-suisse.net/" rel="nofollow nofollow" style="cursor: pointer; text-decoration: none;" target="_blank">http://chalet-suisse.net/</a><br />Le Gran Lux / <a href="http://www.coxaplana.com/" rel="nofollow nofollow" style="cursor: pointer; text-decoration: none;" target="_blank">http://www.coxaplana.com/</a><br />ker* / <a href="http://www.ker.eu.com/" rel="nofollow nofollow" style="cursor: pointer; text-decoration: none;" target="_blank">http://www.ker.eu.com/</a><br /><br /><br />贊助單位:<br />法國在臺協會、鏡花園</span></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-6497017949191828752014-10-08T06:25:00.000-07:002014-10-08T06:31:15.168-07:00<span style="background-color: white; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19.2000007629395px;"><span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="color: #444444; font-size: x-large;">非虛構電影 </span></b></span></span><br />
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<span style="line-height: 19.2000007629395px;"><span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="color: #444444; font-size: x-large;">It's not a REAL film</span></b></span></span><br />
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<span style="color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: large; line-height: 19.2000007629395px;"><b>2014.10.11-11.09</b></span><br />
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<span style="color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">開幕 Opening : </span><br />
<span style="color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">2014.10.11 / 20:00</span></div>
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<span style="color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">表演式電影</span><br />
<span style="color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">The Birth of a Film (/Nation) – 區秀詒</span><br />
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<span style="color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">展出藝術家 Artists : </span><br />
<span style="color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">吳其育 Wu Chi Yu</span><br />
<span style="color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">區秀詒 Au Sow Yee</span><br />
<span style="color: #444444;"><span style="font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">張徐展 Zhang Xu Zhan</span><span class="text_exposed_show" style="display: inline; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"><br />陳瀅如與洪子健 Chen Yin Ju+James T. Hong</span></span></div>
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<span class="text_exposed_show" style="color: #141823; display: inline; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;"><span class="text_exposed_show" style="color: #141823; display: inline; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; line-height: 19.2000007629395px;">在當代動態影像範式正值快速重建的重要階段,錄像與電影<wbr></wbr><span class="word_break" style="display: inline-block;"></span>的定義也逐漸被拆解並重新思辯,電影及錄像間的模糊界線<wbr></wbr><span class="word_break" style="display: inline-block;"></span>開拓了一種新的影像閱讀及論述的可能性。然而本次策展絕<wbr></wbr><span class="word_break" style="display: inline-block;"></span>非為了重構一藝術範式,也絕非企圖界定一新的影像範疇,<wbr></wbr><span class="word_break" style="display: inline-block;"></span>本體論的論述已失去意義,取而代之的是創作者如何使用不<wbr></wbr><span class="word_break" style="display: inline-block;"></span>同藝術語彙,試圖建立新的影像感知與閱讀經驗。<br /><br />《非虛構電影》的參展藝術家,分別利用電影的虛構性,以<wbr></wbr><span class="word_break" style="display: inline-block;"></span>動態影像作品呈現虛構與真實間的流變,使用電影語彙以虛<wbr></wbr><span class="word_break" style="display: inline-block;"></span>構指涉真實。觀者在觀賞過程中,無時不意識到畫外的真實<wbr></wbr><span class="word_break" style="display: inline-block;"></span>,虛構性在此更強調了一種想像的空間,與真實對照,引發<wbr></wbr><span class="word_break" style="display: inline-block;"></span>新的意義生產。<br /><br />張徐展以駐地的經驗出發,場域成為一個敘事客體,將場景<wbr></wbr><span class="word_break" style="display: inline-block;"></span>片段影像化,作為真實情境的比擬與諷喻。區秀詒以紀錄片<wbr></wbr><span class="word_break" style="display: inline-block;"></span>式訪談開啟一想像的故事軸,虛構的敘事線,輔以文件及影<wbr></wbr><span class="word_break" style="display: inline-block;"></span>像,加強想像的真實性。吳其育以近距離特寫首爾河川整治<wbr></wbr><span class="word_break" style="display: inline-block;"></span>後的成果,藉由雙頻道影像的對比與相互賦義,反思人造自<wbr></wbr><span class="word_break" style="display: inline-block;"></span>然的真實。陳瀅如與洪子健的作品則以全然的影像虛構,營<wbr></wbr><span class="word_break" style="display: inline-block;"></span>造新的影像感知。<br /><br />開幕 表演式電影<br />The Birth of a Film (/Nation) – 區秀詒<br /><br />藉著影像機器的即時一人操演,三台舊媒體時代的幻象製造<wbr></wbr><span class="word_break" style="display: inline-block;"></span>機,少數物件、膠卷和麥克風。格里菲斯「一個國家的誕生<wbr></wbr><span class="word_break" style="display: inline-block;"></span>」,弔詭地以影像機器展現了影像與國族至高權力,這裡沒<wbr></wbr><span class="word_break" style="display: inline-block;"></span>有格里菲斯的影像,但,格里菲斯的幽魂,在試圖行進的辯<wbr></wbr><span class="word_break" style="display: inline-block;"></span>證中,最終看見的,是機器影像的終極展現,還是影像之外<wbr></wbr><span class="word_break" style="display: inline-block;"></span>的,在我們意識中殘存的微明之光。<br /><br /><br /><br />[參展作品介紹]<br /><br />1. 張徐展<br />影像日誌系列¬¬-tamtamART TAIPEI<br /><br />「在富於詩意的夢幻想像中,周圍的生活是多麼平庸而死寂<wbr></wbr><span class="word_break" style="display: inline-block;"></span>,真正的生活總是在他方(La vie est d'ailleurs)」— 韓波<br /><br />《影像日誌系列》 於不同區域進行「現地製作」的影像創作計畫,是數個不斷<wbr></wbr><span class="word_break" style="display: inline-block;"></span>累積的單頻道錄像動畫,作品初始的製作模式是想處理掉電<wbr></wbr><span class="word_break" style="display: inline-block;"></span>影動畫工業中需耗費多時的創作方式「先具備完整的腳本、<wbr></wbr><span class="word_break" style="display: inline-block;"></span>故事、角色、敘事衝突」,尤其獨立製作,突然感覺上無法<wbr></wbr><span class="word_break" style="display: inline-block;"></span>跟上不斷湧現而出的所謂「創作思維」,而試著翻轉電影工<wbr></wbr><span class="word_break" style="display: inline-block;"></span>業流程化的動畫製作。《影像日誌系列》動畫「不預先繪製<wbr></wbr><span class="word_break" style="display: inline-block;"></span>腳本、人物、故事 」等前置作業,而是於駐地區域,跟隨下意識的現場隨機取<wbr></wbr><span class="word_break" style="display: inline-block;"></span>材,將駐地空間發生中的「真實事件 或 人、事、物」挪作至動畫中作為影像內容成為製作作業,並<wbr></wbr><span class="word_break" style="display: inline-block;"></span>將其真實事件以串連動態繪畫的方式將其記錄奇想,最後將<wbr></wbr><span class="word_break" style="display: inline-block;"></span>駐地所發生的日誌濃縮於影像,成為一個個關於這裡發生的<wbr></wbr><span class="word_break" style="display: inline-block;"></span>極短單元劇場,而手稿伴隨出現呼應其動態的影像日誌 。此次發表6 個極短的迷你單元劇, tamtamART Taipei的企劃,則是關於自己欣賞的藝術家鄭先喻4<wbr></wbr><span class="word_break" style="display: inline-block;"></span>月份在tamtamART個展的作品,由一個觀眾以觀看<wbr></wbr><span class="word_break" style="display: inline-block;"></span>非作品的路過角度下的觀看心境,搭其音,組其異,重新轉<wbr></wbr><span class="word_break" style="display: inline-block;"></span>譯其作,與原創作主旨不同的荒謬寓意,而其他5個則是進<wbr></wbr><span class="word_break" style="display: inline-block;"></span>駐於浮洲藝術發想村所進行的影像日誌。<br /><br />真實不斷的累積, 影像最終成為一本真實的奇想日記,<br />內容則是關於生活與經驗的現實動畫劇場。<br /><br /><br />2. 區秀詒<br />棉佳蘭一日無光(第一章)<br /><br />「棉佳蘭」是一個虛構的烏托邦。這個烏托邦位於「南洋」<wbr></wbr><span class="word_break" style="display: inline-block;"></span>的某一處。「南洋」這個名詞本身,其實就充滿了大家對於<wbr></wbr><span class="word_break" style="display: inline-block;"></span>新加坡馬來西亞東南亞一代的刻板異國想像。 透過一段發生於「棉佳蘭」的想像「旅程」,《棉佳蘭一日<wbr></wbr><span class="word_break" style="display: inline-block;"></span>無光(第一章)》以在馬來半島日常採集的影像,回收影片<wbr></wbr><span class="word_break" style="display: inline-block;"></span>(found footage)以及來自不同種族、教育背景、年齡的受<wbr></wbr><span class="word_break" style="display: inline-block;"></span>訪者以接龍的方式所述說虛實交錯的故事,連同似是而非的<wbr></wbr><span class="word_break" style="display: inline-block;"></span>文件,共同組成一個悠遊於現實與現實以外的詭異敘事。 而透過某程度作者權的釋放,影像與文件敘事又是否有成為<wbr></wbr><span class="word_break" style="display: inline-block;"></span>一種行動的可能。<br /><br />《棉佳蘭一日無光》(第一部)是一段探尋表層底下隱含的<wbr></wbr><span class="word_break" style="display: inline-block;"></span>「真實」,與表層之外延伸的想像的旅途。透過一段發生於<wbr></wbr><span class="word_break" style="display: inline-block;"></span>「棉佳蘭」(一個位於南洋的想像的烏托邦)的想像「旅程<wbr></wbr><span class="word_break" style="display: inline-block;"></span>」, 《棉佳蘭一日無光》以在馬來半島日常撿拾(採集)的影像<wbr></wbr><span class="word_break" style="display: inline-block;"></span>和文件,以及來自不同種族、教育背景、年齡的受訪者所各<wbr></wbr><span class="word_break" style="display: inline-block;"></span>自訴說的一段寓言以及一些真實的故事,共同組成一個悠遊<wbr></wbr><span class="word_break" style="display: inline-block;"></span>於現實與現實以外的詭異敘事。這個作品從著名學者班納迪<wbr></wbr><span class="word_break" style="display: inline-block;"></span>克.安德森的《想像的共同體》得到啓發,「想像的共同體<wbr></wbr><span class="word_break" style="display: inline-block;"></span>」指出「民族」是一個社會觀念,「想像的共同體,不是虛<wbr></wbr><span class="word_break" style="display: inline-block;"></span>構的共同體,不是政客操弄人民的幻影,而是一種與歷史文<wbr></wbr><span class="word_break" style="display: inline-block;"></span>化變遷相關,根植於人類深層意識的心理的建構。」<br /><br /><br />3. 吳其育<br />亂撿<br /><br />「在野外不知道是誰的東西不要亂撿 ,不然會有“東西”跟著你回家」在台灣有人說<br /><br />巨型城市的首爾,幾乎沒有一個地方不被城市與人群所包圍<wbr></wbr><span class="word_break" style="display: inline-block;"></span>,這是一個完全屬於人類的世界,我想在這個城市中尋找一<wbr></wbr><span class="word_break" style="display: inline-block;"></span>些自然存在的東西,像是過流經這裡的河流、從樹上飄落的<wbr></wbr><span class="word_break" style="display: inline-block;"></span>樹葉、被遺忘在街上的各種廢棄物,就像是透過影像回收這<wbr></wbr><span class="word_break" style="display: inline-block;"></span>些自然出現,但又不知道會自己到哪裡去的東西。而其中首<wbr></wbr><span class="word_break" style="display: inline-block;"></span>爾河川的環境是我特別感興趣的部分,首爾的河川感覺維持<wbr></wbr><span class="word_break" style="display: inline-block;"></span>在一個相當特別且有趣的平衡中,河流兩岸整治成公園跟休<wbr></wbr><span class="word_break" style="display: inline-block;"></span>閒運動的腳踏車道,許多小橋與石街橫跨河流,整治的完整<wbr></wbr><span class="word_break" style="display: inline-block;"></span>與精緻程度相當驚人,但是這些人造河川的河水卻反而相當<wbr></wbr><span class="word_break" style="display: inline-block;"></span>清澈,水鳥跟魚群生態豐富,甚至可以聞到溪水的味道,這<wbr></wbr><span class="word_break" style="display: inline-block;"></span>讓我的過往經驗感到相當衝突,一種在城市中的自然,人造<wbr></wbr><span class="word_break" style="display: inline-block;"></span>自然,是自然?還是不是自然?<br /><br /><br />4. 陳瀅如與洪子健<br />解密外訊END TRANSMISSION +<br /><br />一份來自外星球的解密報告。以強勁且詩意所結構而成的催<wbr></wbr><span class="word_break" style="display: inline-block;"></span>式實驗電影,警告地球人他們將重反地球殖民。如霍金博士<wbr></wbr><span class="word_break" style="display: inline-block;"></span>所言:「如果外星人真的造訪地球,結果可能會如同哥倫布<wbr></wbr><span class="word_break" style="display: inline-block;"></span>登陸美洲大陸一般,對美洲原住民無益。」這麼說來,究竟<wbr></wbr><span class="word_break" style="display: inline-block;"></span>誰是殖民者? 誰是原住民?</span></span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-38856909015826431942014-09-04T18:37:00.003-07:002014-10-08T06:32:25.406-07:00<span style="color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: x-large;"><b>新羅曼史<span lang="EN-US"> </span></b></span><br />
<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US"><b><span style="font-size: x-large;">NEO Romance - first chamber</span></b><br /><b><br /></b></span><b><span style="font-size: large;"><span style="background-color: white; line-height: 18.4799995422363px;"><span style="line-height: 21.3333339691162px;">2014. 09. 07 - 2014. 09. 28</span></span><br style="background-color: white; line-height: 18.4799995422363px;" /><span style="background-color: white; line-height: 21.3333339691162px;">Opening: 09. 07 20:00</span></span></b></span><br />
<span style="color: #444444; font-family: Verdana, sans-serif;"><span lang="EN-US"><span style="line-height: 21.3333339691162px;"><b><br /></b></span></span>展出藝術家<span lang="EN-US"> Artists<span style="background-color: white; line-height: 21.3333339691162px;">:</span></span></span><br />
<span style="color: #444444; font-family: Verdana, sans-serif;">林文藻<span lang="EN-US"> Lin Wen Wen 、</span>郭姿怡<span lang="EN-US"> Morris Kuo</span></span><br />
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<span style="color: #444444; font-family: Verdana, sans-serif;">策展人<span lang="EN-US"> Curatist<span style="background-color: white; line-height: 21.3333339691162px;">:</span></span></span><br />
<span style="color: #444444; font-family: Verdana, sans-serif;">羅仕東<span lang="EN-US"> Lo Shih Tung </span></span><br />
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<span style="color: #444444;"><span style="font-family: Verdana, sans-serif;">邀請參與者<span style="background-color: white; line-height: 21.3333339691162px;">:</span>陳維漢、</span><span style="font-family: Verdana, sans-serif;">吳祥瑀</span></span><br />
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<span style="color: #444444;"><span style="font-family: Verdana, sans-serif;">從</span><span lang="EN-US" style="font-family: Verdana, sans-serif;">18</span><span style="font-family: Verdana, sans-serif;">世紀浪漫主義將自我體認的直覺及想像力作為一種開啟宇宙知識的過程,並同時揚頌對自然敬畏、不安和驚恐中,我們是否能寓言現今個體處在一個無所不在又無處可在的世界,一個沒有實體、隨時會被忘卻,所有的東西都在變化的場域時,藝術對於事件、歷史與記憶的愛戀模式已不再相同。如梅杜莎之筏中的沒有血肉的嗜人場景,唐吉軻德對抗著化為矩陣的風車,沒有英雄的革命。</span><span style="font-family: Verdana, sans-serif;"> </span><span style="font-family: Verdana, sans-serif;">展覽《新羅曼史》從郭姿怡作品中,對魚缸中的魚這樣一個生命狀態,猶如被設計過的靈魂,在自然</span><span lang="EN-US" style="font-family: Verdana, sans-serif;"> - </span><span style="font-family: Verdana, sans-serif;">非自然,生命</span><span lang="EN-US" style="font-family: Verdana, sans-serif;"> - </span><span style="font-family: Verdana, sans-serif;">非生命所展開的結構主義框架裡,將如鏡子般映射此一屬於我們文化荒謬、魔幻模型的臨界個案</span><span lang="EN-US" style="font-family: Verdana, sans-serif;"> ; </span><span style="font-family: Verdana, sans-serif;">以及林文藻作品中從鄉村到城市、小的城市再到大的都會,是空間的也是時間的移轉,更是在不同的人、事、物拼湊自身與世界的關聯性或存在,轉化一層層時間、空間,人與物的對話狀態</span><span lang="EN-US" style="font-family: Verdana, sans-serif;"> ; </span><span style="font-family: Verdana, sans-serif;">並邀請陳維漢、吳祥瑀繪製歷時一年半並持續至今的台北市公車路線圖,從上空俯瞰自身,將世界視為一種有機體也同時是非-自然的描繪。試著透過於</span><span lang="EN-US" style="font-family: Verdana, sans-serif;">TamTam Taipei</span><span style="font-family: Verdana, sans-serif;">及打開-當代藝術工作站兩空間的展覽呈現,建構一處新器官(</span><span lang="EN-US" style="font-family: Verdana, sans-serif;">Organ</span><span style="font-family: Verdana, sans-serif;">)的身體狀態。</span></span></div>
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<span style="color: #444444;"><span style="font-family: Verdana, sans-serif;"><span lang="EN-US">展出藝術家<span lang="EN-US"> / Artists</span></span></span></span></div>
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<span style="color: #444444;"><span style="font-family: Verdana, sans-serif;">郭姿怡<span lang="EN-US"> Morris Kuo</span></span></span><br />
<span lang="EN-US" style="color: #444444; font-family: Verdana, sans-serif;">1987</span><span style="color: #444444; font-family: Verdana, sans-serif;">年出生於高雄,目前生活於台北。 國立台灣藝術大學視覺傳達設計學系畢業,現為 打開</span><span lang="EN-US" style="color: #444444; font-family: Verdana, sans-serif;">-</span><span style="color: #444444; font-family: Verdana, sans-serif;">當代藝術工作站成員、乙隽食物實驗室負責人、高野美術股份有限公司之行銷設計顧問。 除了日常的設計工作外,於</span><span lang="EN-US" style="color: #444444; font-family: Verdana, sans-serif;"> 2012</span><span style="color: #444444; font-family: Verdana, sans-serif;">年開始在藝術創作發展,並且在詮釋自我的創作中兼具設計,美學,社會性的議題,展現一種類兩棲類的個人風貌。</span></div>
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<span style="color: #444444;"><span style="font-family: Verdana, sans-serif;">林文藻<span lang="EN-US"> Lin Wen Tsao</span></span></span></div>
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<span style="color: #444444;"><span style="font-family: Verdana, sans-serif;">美國加州州立大學<span lang="EN-US">(California State University, Long Beach) </span>學士位, 現為 打開<span lang="EN-US">-</span>當代藝術工作站 及 新樂園藝術空間成員,創作媒材主要以攝影及繪畫為主。作品中,以顏色和線條的元素關注屬於人們生活環境與社會生態,從色彩與結構的語言徵候。<span lang="EN-US">2003</span>年開始製作包括以閱讀和視覺兩部份的一系列作品;以探討日常生活中的場域、空間、聲音、缺席為主題。向來都以城市的空間、生活與自然環境為基礎,使用數學幾何圖形之抽象概念套入創作之中。<span lang="EN-US">2009</span>年受邀參加花蓮洄瀾國際藝術工作坊,<span lang="EN-US">2010</span>和<span lang="EN-US">2011</span>年於台北國際藝術村進行藝術家工作坊,<span lang="EN-US">2012</span>年獲得美國<span lang="EN-US">Vermont Studio Center International Artist and writer Fellowship</span>,曾獲邀稿於《藝術收藏<span lang="EN-US">+</span>設計》,當代藝術新聞,<span lang="EN-US">Art Plups </span>等雜誌報導。</span></span></div>
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羅仕東<span lang="EN-US"> Lo Shih Tung</span></div>
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生於<span lang="EN-US">1983</span>年<span lang="EN-US">,</span>畢業於國立台灣藝術大學造形藝術研究所碩士<span lang="EN-US">,</span>現工作、生 活在台灣台北。其創作關注於社會中日常可見的特殊紋理<span lang="EN-US">,</span>將其視為如班雅明論 述中的碎片<span lang="EN-US">,</span>折射<span lang="EN-US">/</span>反映一完整的結構與世界。視作品作為活的文件<span lang="EN-US">,</span>不限於特 定媒材或方式<span lang="EN-US">,</span>試圖誘發詢問與思考、移動與轉換的特殊訊息。 自<span lang="EN-US">2010</span>年於寶藏巖國際藝術村<span lang="EN-US">,</span>以及<span lang="EN-US">2012</span>於日本橫濱<span lang="EN-US">BankArt-1929 NYK </span>的進駐。創作在與社群、觀眾的交互過程中強調時間性<span lang="EN-US">,</span>將零碎的、間隙的、遺 忘的歷史沉積於記憶深處重構或甚至虛構<span lang="EN-US">;</span>尋訪當代社會中關於身分、家、故 鄉、城市<span lang="EN-US">──</span>即那些關於我們已經遺忘許久<span lang="EN-US">,</span>不可見的幽黯鬼魂。 羅仕東的作品曾於<span lang="EN-US">2011</span>年參加巴黎龐畢度中心《巴黎<span lang="EN-US">/</span>柏林<span lang="EN-US">/</span>馬德里國際 當代影像藝術節》<span lang="EN-US">,</span>里昂<span lang="EN-US">Olivier Hong Galerie</span>《活體詩學<span lang="EN-US">-</span>驚蟄詩囚》聯展。</div>
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<span style="color: #666666; font-family: Verdana, sans-serif;"><span style="background-color: white; line-height: 19.2000007629395px;">合作單位 Cooperation : </span><span style="background-color: white; line-height: 19.2000007629395px;">打開-當代藝術工作站 OCAC</span></span></div>
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<span style="color: #666666; font-family: Verdana, sans-serif;"><span style="background-color: white; line-height: 19.2000007629395px;">贊助單位 Sponsor : </span><span style="background-color: white; line-height: 19.2000007629395px;">台北 鏡花園IPIX、台北市文化局、文化部</span></span></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-62116420022520831772014-08-07T21:47:00.002-07:002014-08-08T22:23:23.060-07:00<div class="separator" style="clear: both; text-align: left;">
<span style="background-color: white; color: #444444; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: x-large; line-height: 23.999998092651367px;"><b>墟場+域</b></span></div>
<span style="background-color: white; color: #444444; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: x-large; line-height: 23.999998092651367px;"><b>That Ruined Place</b></span><br />
<span style="color: #444444;"><span style="background-color: white; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 21px; line-height: 23.999998092651367px;"><br /></span><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: large; line-height: 21.33333396911621px;">2014. 08. 09 - 2014. 08. 17</span></span><br />
<span style="background-color: white; color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: large; line-height: 21.33333396911621px;">Opening: 08. 09 20:00</span><br />
<span style="background-color: white; color: #444444; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: large; line-height: 21.33333396911621px;">Artist talk: 08. 09 20:30</span><br />
<span style="color: #444444; font-size: large;"><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 21.33333396911621px;"><br /></span><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 21.33333396911621px;">策展人|Mateusz Bieczynski</span><span class="text_exposed_show" style="background-color: white; display: inline; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 21.33333396911621px;"><br />藝術家|Shaurya Akshay Kumar</span></span><br />
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<b style="mso-bidi-font-weight: normal;"><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">“為了未來的需求,過去的將遺失”</span></b><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;"><br />
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</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">“為何探問我從何處來,噢
居住在東方的人兒,</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;"><br />
</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">知曉我無家可歸,你訕笑,你嘲諷</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;"><br />
</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">德里曾是世界上被神選定的城市</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;"><br />
</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">僅有被選定的行業駐於此</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">;<br />
</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">然而上天掠奪了它並任它荒涼,</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;"><br />
</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">我是這墟場的居民。“</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">- Meer Taqi Meer<br />
</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 10.0pt;">(Meer
Taqi Meer(1723-1810)</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 10.0pt;">,為印度蒙兀兒王朝時期,以烏爾都語</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 10.0pt;">Urdu</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 10.0pt;">創作詩歌的先鋒。烏爾都語是屬於印歐語系印度</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 10.0pt;">-</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 10.0pt;">伊朗語族的印度</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 10.0pt;">-</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 10.0pt;">雅利安語支。是巴基斯坦的國語,也是印度的</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 10.0pt;">24</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 10.0pt;">種規定語言之一。</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 10.0pt;">)</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;"><o:p></o:p></span></div>
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<span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">「墟場</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">+</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">域」呈現當代社會中的歷史邊緣化。藝術家以多媒體作品反映作為身份認同及主體驕傲的自身歷史,如何逐漸消逝、碎片化,甚至完全迷失,遺落在快速發展的城市邊緣。作品讓觀者窺見時間的遺跡如何在自然摧殘、時間歷程、與人類的忽視下墮入消亡。伴隨著沒有任何證據證明他們的存在或任何復興、恢復原狀之期望,他們的存在如同影子一般,黑暗無光、碎裂,也幾然全覆無存。</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">Shaurya Kumar</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">的作品描繪了這個“忘卻、擦除以及健忘”已然成為我們所居的現實之中的新常態。</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">Shaurya Kumar </span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">印度德里人,</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">2007</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">年畢業於美國諾克斯維爾的田納西大學藝術學院,專修版畫及繪畫。</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">2001</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">年起,</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">Kumar</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">開始進行許多研究計畫,如印度繪畫研究</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">(26</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">部關於印度繪畫傳統的紀錄片</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">)</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">;印度手工</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">(</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">印度手工藝傳統百科全書</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">)</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">;即西元六世紀佛教阿旃陀石窟壁畫數位典藏等。</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;"> Kumar</span><span lang="JA" style="font-family: "Heiti TC Light"; font-size: 11.0pt;">的研究著重於使用新媒體的同時也強調永久的危險性,以及真實與虛擬間的斷裂。他的作品是對藝術與科技的探索,也呈現兩者之間的裂縫。他的作品也是關於場所的對話,探討場所如何影響資料,乃至於整個社會、文化、人群、及個人。</span><span lang="EN-US" style="font-family: "Heiti TC Light"; font-size: 11.0pt;"><o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Arial; font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">“For the want of future, the
past was lost” <o:p></o:p></span></b></div>
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dwellers of the East,</span><span lang="EN-US" style="color: #333333; font-family: Arial; font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-TW;"><br />
<span style="background: white;">Knowing my homelessness you laugh as you taunt.</span><br />
<span style="background: white;">Delhi that was once a select city in the world,</span><br />
<span style="background: white;">Where only the chosen lived of every trade;</span><br />
<span style="background: white;">Then the heavens looted it and left it desolate,</span><br />
<span style="background: white;">I am a citizen, of that ruined place."<o:p></o:p></span></span></div>
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Meer Taqi Meer</span><span lang="EN-US" style="font-family: Arial; font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-TW;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Arial; font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">That Ruined Place presents the idea of
marginalization of history in contemporary societies. In this multi-media
exhibition, the artist reflects on how our past that was once our identity and
a matter of pride, is getting increasingly obviated, mutilated, sometimes
entirely lost or pushed to the extreme fringes of rapidly urbanizing societies.
These works offer a glimpse into the fate of relics that have succumbed to
harsh natural elements, passage of time, and blows of human neglect. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Arial; font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">With no evidence remaining of their existence
or a hope of revival and restitution, they exist in shadows – dark, fractured,
and almost annihilated. Shaurya Kumar’s works depict this “obliteration,
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<span lang="EN-US" style="font-family: Arial; font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Shaurya Kumar <o:p></o:p></span></div>
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A native of Delhi, India where he studied printmaking and painting at the
College of Art; Shaurya Kumar graduated with his MFA from the University of
Tennessee, Knoxville in 2007. Since 2001, Kumar has been involved in numerous
prestigious research projects, like “The Paintings of India” (a series of 26
documentary films on the painting tradition of India); "Handmade in
India" (an encyclopedia on the handicraft traditions of India); and
digital restorations of 6th century Buddhist mural paintings from the caves of
Ajanta. <o:p></o:p></span></div>
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Kumar’s research is focused on creating works which appreciate and appropriate
new media while highlighting the dangers of its longevity; and the disconnect
between the virtual and the real. His work is an investigation of art and
technology, and the rift that lies between. Ultimately, his work is a dialogue
about site, how site effects and affects data and therefore a society, a
culture, a people and ultimately a person. <o:p></o:p></span></div>
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Kumar's work has been showcased in numerous national and international
exhibitions across the US and in countries including India, China, Poland,
South Korea, Taiwan, Thailand, Belgium, Bulgaria, Italy, U.K., Norway, France,
Australia and Finland among many others. His works have been installed at
venues including the Dr. Bhau Daji Lad Museum (formerly Victoria & Albert
Museum, Mumbai); UNM Art Museum, Albuquerque; SCA Contemporary, Albuquerque;
Queens Museum, NYC; Seoul Museum of Art, Seoul; Lakeeren Gallery, Mumbai; New
Art Center, NYC; Los Angeles Center for Digital Arts, Los Angeles, CA; Museum
of Fine Arts, Georgia; Schneider Museum of Art, Oregon; Charleston Heights Art
Center, Las Vegas among many others. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Arial; font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"><br />
Kumar is the Graduate Coordinator and an Assistant Professor in the Department
of Printmedia at the School of the Art Institute of Chicago. He has studios in
Chicago and New Delhi and is represented by Lakeeren Gallery, Mumbai; Artifact
gallery in NYC and Craig Anderson Art Consultants in New Mexico.<o:p></o:p></span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-10178545089070253382014-07-08T07:20:00.003-07:002014-08-07T21:57:35.621-07:00<b><span style="color: #444444; font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-large;">想像的空間 </span></b><br />
<b><span style="color: #444444; font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-large;">Space of Imagination</span></b><br />
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<b><span style="color: #444444; font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;">2014. 07. 12 - 07. 27</span></b></div>
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<b><span style="color: #444444; font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;">opening: 07.12 8pm</span></b><br />
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; line-height: 21.33333396911621px;">策展人</span><span style="background-color: white; line-height: 21.33333396911621px;">Curator</span></span></b><br />
<span style="background-color: white; line-height: 21.33333396911621px;"><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><b>Mateusz Bieczynski</b></span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="background-color: white; line-height: 21.33333396911621px;"><span style="color: #444444;"><br /></span></span><span style="color: #444444;"><span style="background-color: white; line-height: 21.33333396911621px;">藝術家</span><span style="background-color: white; line-height: 21.33333396911621px;">Artist</span></span></b></span><br />
<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; line-height: 21.33333396911621px;"><b>Maciej Kurak, Max Skorwider, Agnieszka Mori, </b></span></span><br />
<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><b><span style="background-color: white; line-height: 21.33333396911621px;">Michal Tatarkiewicz, Radosław Włodarski, Krzysztof </span><span style="background-color: white; line-height: 21.33333396911621px;">Balcerowiak</span></b></span><br />
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<a href="http://3.bp.blogspot.com/-hJfFa5o7r70/U724-GqHmHI/AAAAAAAABs8/52T1BqfkQQg/s1600/ok.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-hJfFa5o7r70/U724-GqHmHI/AAAAAAAABs8/52T1BqfkQQg/s1600/ok.jpg" height="526" width="640" /></a></div>
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<br /><a href="https://www.facebook.com/media/set/?set=a.792106864167739.1073741846.152319158146516&type=3" target="_blank">PHOTOS</a><br /><br />
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">本次展覽的作品乃透過相同的藝術意圖而彼此相鏈結,換言<wbr></wbr><span class="word_break" style="display: inline-block;"></span>之藝術家將主要的焦點放在圖像(graphics)這媒<wbr></wbr><span class="word_break" style="display: inline-block;"></span>材的有限性上。作品的另一個共同特色,也是對空間的藝術<wbr></wbr><span class="word_break" style="display: inline-block;"></span>反思,此被認為是核心或次要主題。“想像的空間”這標題<wbr></wbr><span class="word_break" style="display: inline-block;"></span>即是要指出經驗的多樣性,這經驗可能是發生在圖像與其他<wbr></wbr><span class="word_break" style="display: inline-block;"></span>藝術媒材交會之處,以及平面印刷轉變為多維度之處。</span><br />
<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<span style="color: #444444;"><span style="font-family: Arial, Helvetica, sans-serif; line-height: 21.33333396911621px;">同時也將提出藝術家的實踐是否可能透過客觀標準來驗證或<wbr></wbr><span class="word_break" style="display: inline-block;"></span>評估,或他們僅僅被視為在人類活動中的特殊領域內(即傳<wbr></wbr><span class="word_break" style="display: inline-block;"></span>統上不被認為是藝術)的一個主觀實驗的結果。藝術家是否<wbr></wbr><span class="word_break" style="display: inline-block;"></span>有權針對需要較高層次知識背景的議題發言?是他們的行動<wbr></wbr><span class="word_break" style="display: inline-block;"></span>實踐為他們直接涉入的領域帶來好的結果嗎?他們能定義自<wbr></wbr><span class="word_break" style="display: inline-block;"></span>身的普世價值或僅任憑感知消失在一般普羅定義下如雲霧般<wbr></wbr><span class="word_break" style="display: inline-block;"></span>的主體論中呢?</span></span></div>
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<span style="color: #444444;"><span style="font-family: Arial, Helvetica, sans-serif; line-height: 21.33333396911621px;">The works presented at the exhibition are connected through the same element of the artistic intention, namely the main focus putted by the artists on the limits of the medium of graphics. Another common feature of the works is also an artistic reflection about the space conceived as the central or the secondary topic. The title “Space of imagination” refers to the diversity of experiences, which are possible at the field where graphics is crossing over with the other artistic media and where the flat print becomes multidimensional. </span></span></div>
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<span style="color: #444444;"><span style="line-height: 21.33333396911621px;"><span style="font-family: Arial, Helvetica, sans-serif;">The exhibition refers also to the question whether artist practices are possible to verify or evaluate by the objective criteria or merely should they be seen as a result of a subjective experiment in the very specialized field of human activity, which is traditionally not considered as art. Do artists have the right to speak on issues, which require the higher range of knowledge? Are their actions bringing good consequences into the field they are directly related to? Are they able to defend their universal value or they just vanish their sense in the general “cloud of subjectivism”?</span></span></span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-86625617763789428682014-06-09T11:18:00.005-07:002014-08-07T21:57:03.094-07:00<h3 class="post-title entry-title" itemprop="name" style="background-color: white; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; margin: 0.75em 0px 0px; position: relative; text-align: -webkit-auto;">
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<span style="color: #666666;"><span style="font-size: x-large;"><span style="font-family: Verdana, sans-serif;">緊張的邊界</span><br /><span style="font-family: Verdana, sans-serif;">Tensional Boundary</span><br /><span style="font-family: Verdana, sans-serif;">2014.06.14 - 07.05</span></span><br /><span style="font-family: Verdana, sans-serif; font-size: medium; font-weight: normal;"><br /></span></span></div>
</h3>
<h3 class="post-title entry-title" itemprop="name" style="background-color: white; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 22px; font-weight: normal; margin: 0.75em 0px 0px; position: relative; text-align: -webkit-auto;">
<span style="font-family: Verdana, sans-serif;"><span style="color: #666666;"><span style="font-size: 15.555556297302246px; line-height: 21.33333396911621px;">藝術家:<br />田德熙 Dexi Tian(China)</span><br style="font-size: 15.555556297302246px; line-height: 21.33333396911621px;" /><span style="font-size: 15.555556297302246px; line-height: 21.33333396911621px;">陳敏強 Dennis Tan(Singapore)</span></span></span></h3>
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<span style="color: #444444; font-family: Trebuchet MS, sans-serif; font-size: small; font-weight: normal;"><a href="https://www.facebook.com/media/set/?set=a.770116456366780.1073741844.152319158146516&type=3" target="_blank">PHOTOS</a><br /><br />在<span lang="EN-US">2013</span>年入住巴黎西帖藝術村駐村之前,策展人蔡家榛扛著背包遊歷了高加索山下與中亞國家,
造訪這幾個國家對她最大的衝擊不在其國土境內,而是位處在關防之時,在每一個海關被問及的問題看似稀鬆平常不過,但都異常尖銳的戳刺到「我<span lang="EN-US">/</span>你是誰?」「為何而來?」「要去哪裡?」的身份認同問題,而這命題似乎一直潛伏在策展人往昔的策展<span lang="EN-US">(</span>展名<span lang="EN-US">)</span>之中。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #444444; font-family: Trebuchet MS, sans-serif; font-size: small; font-weight: normal;">這經歷不僅刺激了她的身體經驗,也激化了策展人對於認同命題的思考:從他者角度看見己身曖昧模糊的存在乃是因為忽略了去看清楚我之為「我」的框架「界線」何在、以及是什麼狀態,因此這次《緊張的邊界》邀請一件現場裝置及聲音裝置,針對「邊界」所激化出的認同與存在感知,提出邊界不是為了劃出認同的範疇,而是唯有杵在邊界的緊張狀態時,才能逼出存在與認同被抹糊的實相。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #444444; font-family: Trebuchet MS, sans-serif; font-size: small; font-weight: normal;">《緊張的邊界》邀請了中國藝術家田德熙與新加坡藝術家陳敏強的裝置作品,本展從單一裝置作品的形象語言與整體作品的安排配置都表述著強烈的政治寓言,以此深刻從地理上的邊界呼應抽象存在認同的命題。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-weight: normal;"><span style="color: #444444; font-family: Trebuchet MS, sans-serif; font-size: small;">Prior to curator Tsai JiaZhen residency in
2013 at the Cité internationale des Arts in Paris, she backpacked through the
foothills of the Caucasus Mountains and countries in Central Asia. Throughout
her journey, the greatest impact her experienced wasn’t when she stepped foot
in those various nations; rather, it was at the borders, when she was
confronted by the custom officials with the seemingly ordinary questions,
pinpointing at issues of identity acceptance: “who am I/who are you?”; “why are
you here?”; “where are you going?” And this subject seems to have been persistently
lurking in her previous curatorial projects (exhibition titles). <o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-weight: normal;"><span style="color: #444444; font-family: Trebuchet MS, sans-serif; font-size: small;">The occurrence has not only stimulated her
physical experience; it has also incited thoughts on the issues of acceptance,
such as to see the self’s ambiguous existence from the perspective of others is
prompted by the negligence to clearly see where the “boundary” of the “self”
lies, and what form does it take on. Therefore, the on-site installation and
the sound installation included in this exhibition, Tensional Boundary, are focused
on the sense of acceptance and existence evoked by the notion of “boundary”.
The boundary proposed is not intended to specify the parameter for acceptance;
on the other hand, only by being present at the tensed boundary could the vague
truth about existence and acceptance become more distinct. <o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="color: #444444; font-family: Trebuchet MS, sans-serif; font-size: small; font-weight: normal;">Included in Tensional Boundary are
installation works by Chinese artist, Dexi Tian, and Singaporean artist, Dennis
Tan. The figurative vernacular employed by each artwork and the overall
configuration of the entire exhibition contain expressions of strong political
allegories, with the abstract proposition regarding existence and acceptance
profoundly echoed from the geographical position of being at the
boundary. </span><span style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 22px; font-weight: normal;"><o:p></o:p></span></span></div>
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<span style="color: #444444; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 22px; font-weight: normal;"><span class="text_exposed_show" style="display: inline; font-family: Verdana, sans-serif;"><span style="font-size: 15.555556297302246px; line-height: 21.33333396911621px;">
</span></span></span></h3>
<h3 class="post-title entry-title" itemprop="name" style="background-color: white; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-weight: normal; margin: 0.75em 0px 0px; position: relative; text-align: -webkit-auto;">
<div style="text-align: justify;">
<span style="color: #666666; font-family: Verdana, sans-serif; font-size: x-small; line-height: 21.33333396911621px;"><br /></span></div>
<span class="text_exposed_show" style="display: inline; line-height: 21.33333396911621px;"><div style="text-align: justify;">
<span style="color: #666666; font-size: x-small;"><span style="font-family: Verdana, sans-serif; text-align: -webkit-auto;">指導單位 </span><span style="font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; text-align: left;">Sponsor</span><span style="font-family: Verdana, sans-serif; text-align: -webkit-auto;">︱文化部 </span><span style="font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; text-align: left;">Ministry of Culture</span></span></div>
<span style="font-family: Verdana, sans-serif;"><div style="text-align: justify;">
<span style="color: #666666; font-size: x-small;"><span style="text-align: -webkit-auto;">特別感謝 </span><span style="font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; text-align: left;">Special Acknowledgment</span><span style="text-align: -webkit-auto;">︱宜蘭縣政府 </span><span style="font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; text-align: left;">Yilan County Go</span><span style="font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; text-align: left;">vernment</span></span></div>
</span></span></h3>
</div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-64452799790816545412014-05-04T06:15:00.003-07:002014-06-09T10:56:58.166-07:00LOOP # 05<br />
<span lang="EN-US"><span style="color: #666666; font-family: Arial, Helvetica, sans-serif;">2014.05.10 - 2014.06.01 </span></span><span style="color: #666666; font-family: Arial, Helvetica, sans-serif;">12:00 - 24:00</span><br />
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<span style="background-color: white; color: #666666;"><span style="font-size: large;"><b><span style="font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;">@basjanader_#I</span><wbr style="font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;"></wbr><span class="word_break" style="display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;"></span><span style="font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;">’mtstty</span></b></span><b><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><span lang="EN-US"> </span></span></b></span></div>
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<span style="background-color: white;"><b><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: large;"><span lang="EN-US">2013-2014</span></span></b></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white;"><b><span style="font-size: large;"><span lang="EN-US">Sven BERGELT (DE)</span></span></b></span><span lang="EN-US" style="background-color: #999999; font-size: 10pt;"><o:p></o:p></span></span></div>
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<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11.5pt; line-height: 19px; text-align: left;"><br /></span>
<span style="color: #666666;"><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11.5pt; line-height: 19px; text-align: left;">德國藝術家Sven Bergelt的影像作品@basjanader_#I</span><wbr style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11.5pt; line-height: 19px; text-align: left;"></wbr><span class="word_break" style="background-color: white; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11.5pt; line-height: 19px; text-align: left;"></span><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11.5pt; line-height: 19px; text-align: left;">’mtstty,旨在探討youtube卡拉o</span><wbr style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11.5pt; line-height: 19px; text-align: left;"></wbr><span class="word_break" style="background-color: white; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11.5pt; line-height: 19px; text-align: left;"></span><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11.5pt; line-height: 19px; text-align: left;">k現象。Sven Bergelt將 Bas Jan Ader於1971年創作的電影 « I’m too sad to tell you »之再製影像與留言檔案蒐集起來,並以這些影音及文本資</span><wbr style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11.5pt; line-height: 19px; text-align: left;"></wbr><span class="word_break" style="background-color: white; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11.5pt; line-height: 19px; text-align: left;"></span><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11.5pt; line-height: 19px; text-align: left;">料來探討網路的複製文化,及網路溝通的嘗試。</span></span></div>
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<span style="color: #666666;"><br style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;" /><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;">2007年Sven Bergelt再次演繹了Bas Jan Ader的電影,並上傳至youtube。他的作品將A</span><wbr style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;"></wbr><span class="word_break" style="background-color: white; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;"></span><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;">der的電影主題重現於當今媒體情境中。這幾年來,他發</span><wbr style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;"></wbr><span class="word_break" style="background-color: white; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;"></span><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;">現網路上越來越多影片都再製了Ader的電影,“@ba</span><wbr style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;"></wbr><span class="word_break" style="background-color: white; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;"></span><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;">sjanader_#i’mtstty” 就是這些再製影音及文本資料的集結。</span><br style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;" /><br /><br style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;" /><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;">The installation “@basjanader_#I’mtstty” theme the youtube-karaoke phenomenon. Sven Bergelt created an archive of video remakes and responses from the Bas Jan Ader Film “I’m too sad to tell you” from 1971. The collection of the audiovisual and textual material discusses the “copy culture” in the internet, as well as the attemps of communication within the internet.</span><br style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;" /><br style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;" /><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;">In 2007 Bergelt reenacted the film of Bas Jan Ader and put it on youtube. His work actualizes the theme of Aders Film under todays media environment. After the years he realized that more and more video responses of Bas Jan Aders film were present on video platforms in the internet. The archive “@basjanader_#i’mtstty” is a collection of the audiovisual and textual material of that remakes. </span><br style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;" /><br style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;" /><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;">In the first exhibition of the work in Gallery EIGEN+ART Leipzig the archive were presented in an archive rack. In this set-up the different layers of the rack are moveable and allow the viewer to play around with the items of this installation.</span></span><br />
<span style="color: #666666;"><br style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;" /><span style="background-color: white; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 19px; text-align: left;">In the second exhibition at CYNETART - Festival the focus were shifted onto the visual impression of the videos. On the back of the video wall there was a desktop with 18 DVD-Player and the 71 archived videos as DVDs. In this installation the viewer was invited to change the DVDs and makes his own compilation.</span></span><br />
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-31151250876833349312014-04-16T08:49:00.001-07:002014-06-09T10:57:03.397-07:00<br />
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: large;">DamDamBong:10mins talking vol.02</span></div>
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<span style="font-size: large;"><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"></span><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">2014. 04. 20 3PM</span></span><br />
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<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;">「Dam Dam Bong」為 TheCube 立方計劃空間 與tamtamART TAIPEI IPIX共同合作,於2014春天開始不定期舉辦的10</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;">mins talking系列講座,邀請人可以在十分鐘內盡情發表</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;">分享所見所聞,上至外星生物、下至陰間世界,鄉野趣談也</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;">好,怪力亂神也罷,什麼都可以談,什麼禁忌都沒有,而唯</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;">一的禁止條款就是任何正在發展中的藝術創作或策展計畫。</span><wbr style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #141823; display: inline-block; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;"></span><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;">或許不「藝術」,是一條更接近「藝術」的途徑。</span><span class="text_exposed_show" style="background-color: white; color: #141823; display: inline; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 15px; font-weight: normal; line-height: 19px; text-align: left;"><br /><br /><br /><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px;">講者名單</span><br style="color: #666666; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: 17px; font-weight: bold; line-height: 23px; text-align: -webkit-auto;" /><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px;">--------------------------</span><wbr style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px;">----------</span><br />陳瀅如<br /><span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px;">主題:</span>【解析巫師克勞利與哈里斯女士在威尼斯展出的九張塔羅牌<wbr></wbr><span class="word_break" style="display: inline-block;"></span>】<br />----------------<br />鄭先喻<br /><span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px;">主題:</span>【彎曲的資料】<br />----------------<br />張徐展<br /><span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px;">主題:</span>【新興糊紙店的腳尾飯】<br />----------------<br />樊香君<br /><span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px;">主題:</span>【觸摸】<br />----------------<br />林正尉<br /><span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px;">主題:</span>【路過的新加坡】<br />----------------<br />莊東橋<br /><span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px;">主題:</span>【壓克力顏料貓飼料畫布貓砂】<br />----------------<br />應尉民<br /><span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px;">主題:</span>【小應脫口秀:幹丸】<br />----------------<br />搖滾客小西<br /><span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px;">主題:</span>【佛法實踐與參與社會運動之路】</span><br />
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<iframe allowfullscreen="" frameborder="0" height="441" src="//www.youtube.com/embed/ArL-0uIybB0?rel=0" width="641"></iframe></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-89329327029529974282014-04-07T05:58:00.004-07:002014-05-04T06:04:38.804-07:00<br />
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<span style="color: #444444; font-family: lucida grande, tahoma, verdana, arial, sans-serif;"><span style="font-size: large; line-height: 17px;"><b>收集者 版本1.0.0</b></span></span></div>
<span style="color: #444444;"><span style="background-color: white; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; font-size: large;"><b style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;">Collector Version 1.0.0</b></span></span><br />
<span style="color: #444444; font-size: large;"><b style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"><br /></b><b style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;">鄭先喻個展</b></span><br />
<b style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"><span style="color: #444444; font-size: large;">Hsien-Yu CHENG’s solo exhibition</span></b><br />
<span style="color: #444444; font-size: large;"><b style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif;"><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"><br /></span></b><b style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif;"><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;">2014. 04. 12 - 2014. 05. 04</span></b></span><br />
<span style="color: #444444;"><span style="background-color: white; font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif;"><b><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: large; line-height: 17px; text-align: left;">Opening : April 12, 8PM</span></b></span></span><br />
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<span style="color: #444444; font-family: lucida grande, tahoma, verdana, arial, sans-serif; font-size: large;"><span style="line-height: 17px;"><b>Performance : 鄭先喻x鄭宜佩、張欣、吳宜曄</b></span></span><br />
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif; text-align: justify;"><a href="https://www.facebook.com/media/set/?set=a.736347749743651.1073741842.152319158146516&type=3" target="_blank">PHOTO</a></span><br />
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif; text-align: justify;">「我常常會捨不得買新的東西,與其購買,亦常常會有自己動手做一個出來看看的想法與行動。久而久之,我養成了使用回收電器,或是改裝廢棄物件、零件以再利用的習慣。」</span><span lang="EN-US" style="color: #444444; font-family: Arial, Helvetica, sans-serif; text-align: justify;">--- </span><span style="color: #444444; font-family: Arial, Helvetica, sans-serif; text-align: justify;">鄭先喻</span><br />
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">在這次「收集者版本<span lang="EN-US">1.0.0</span>」中,藝術家鄭先喻將展出五件全新創作,這些作品都將再次利用他所收集來的物件,重新建構、轉化自己對於生活中不平的世間事物。「收集者」這個計畫。它不只收集了被人們視為無用的材料,也收集著這世間中假的生命道德、虛假的和平以及人性的逞強。</span><span lang="EN-US"><o:p></o:p></span><br />
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<!--StartFragment-->
<br />
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US">“To reuse
wasted products or buying new things, I sometimes struggle with them. Then
I use to make one by myself instead of
buying. Over a long period of time, I have this habit and develop some skills
via those process by modifying, recycling some E-waste or secondhand
materials.” ---</span><span lang="EN-US">Hsien-Yu CHENG</span><span lang="EN-US"><o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">This process
is also concerned with his creative works. he tries to symbolize or bring some
thoughts and things are happened around our life, society even nature that he
doesn't like into his works. Maybe those things that he doesn't want to see or
he doesn't like are not really important for many people, but he still keep
collecting those phenomenons that are happened around us. So he starts to have
this project “Collector”. It’s not only collecting abandoned objects or
E-waste, it’s also collecting sanctimonious justice, value and humanity. <o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">Hsien-Yu CHENG</span></span><span lang="EN-US"><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"> presents 5 works In [collector 1.0.0] at tamtamART
TAIPEI. IPIX this time. Three of them are related to his thoughts about
perspective between human and life. The other two, one is that he would like to
express respect to the inventor of computer mice. The other one is a kind of
experimental prototype, it’s about how to generate energy by bio materials and
eco-tech.</span><span style="font-family: Arial;"><o:p></o:p></span></span></div>
<!--EndFragment--><br />
<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<!--EndFragment-->Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-48291064722709286072014-03-06T07:06:00.003-08:002014-03-06T07:09:14.023-08:00<br />
<div class="mbs fbEventHeadline fsxl fwb fcb" itemprop="name" style="margin-bottom: 6px; max-width: 800px;">
<b><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: large;">數位荒原 X Project Glocal亞洲城市串流見面會 </span></b><br />
<b><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: large;">Meeting Project Glocal 2014: Transi(en)t TPE</span></b></div>
<div class="mbs fbEventHeadline fsxl fwb fcb" itemprop="name" style="margin-bottom: 6px; max-width: 800px;">
<span style="color: #666666;"><b><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></b></span>
<span style="color: #666666; font-size: large;">
<b><span style="font-family: Arial, Helvetica, sans-serif;">2014. 03. 07 19:00-21:00</span></b></span><br />
<b><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><br /></span></b>
<b><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><br /></span></b>
<br />
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<span style="color: #666666;"><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">2014年數位荒原主辦Project Glocal 亞洲城市串流,試圖連結不同文化背景的東南亞藝術家,藉</span><wbr style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">由穿越彼此的邊界,交流、共同策劃活動或作品,讓藝術生</span><wbr style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">產進入更廣袤的流通想像裡,重建細微又多層次的不穩定邊</span><wbr style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">界。本次荒原見面會將以tamtamART TPE為合作夥伴,邀請三位藝術家,菲律賓的Manne</span><wbr style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">t Villariba ,馬來西亞的Fairuz Sulaiman,印尼的Duto Hardono與台灣觀眾見面,並由策展人Dayang</span><wbr style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"> Yraola以SKYPE連線介紹計畫。</span></span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-15052247272736284322014-03-03T06:15:00.002-08:002014-05-16T21:00:42.270-07:00<br />
<span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"><span style="color: #444444; font-size: large;"><b>鬼屋</b></span></span><br />
<span style="font-size: large;"><span style="color: #444444;"><b><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;">Ghost House</span></b></span><b style="background-color: white; color: #444444; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"><br /></b></span><br />
<b style="background-color: white; color: #444444; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"><span style="font-size: large;">歐哈‧馬塔隆個展</span></b><br />
<span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"><span style="color: #444444; font-size: large;"><b>Ohad Matalon’s solo exhibition</b></span></span><br />
<span style="font-size: large;"><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"><span style="color: #444444;"><b><br /></b></span></span><span style="color: #444444;"><b><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;">2014. 03. 08 - 2014. 04. 07</span><br style="background-color: white; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;" /><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;">Opening : March 08, 8PM</span></b></span></span><br />
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<span style="background-color: white; color: #666666; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;">《鬼屋/Ghost House》這系列作品是Ohad Matalon這些年行/</span><wbr style="color: #666666; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="color: #666666; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #666666; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;">觀遍世界各地所發展出來的系列作品,此次應tamtamA</span><wbr style="color: #666666; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="color: #666666; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #666666; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;">RT TAIPEI .IPIX之邀,揀選攝於台灣與以色列兩地的作品展出。</span><wbr style="color: #666666; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="color: #666666; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #666666; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;">旁觀者發展出的廢墟攝影是個相當普遍且迷人的題材,但M</span><wbr style="color: #666666; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="color: #666666; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #666666; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;">atalon並不將自己作為一個旁觀的記錄 者,他重新擺置物件的動作擾動了此些空間中的時間痕跡,</span><wbr style="color: #666666; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="color: #666666; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #666666; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;">以一種「還在」的狀態呈現這些早被遺棄的建物空間,試著</span><wbr style="color: #666666; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="color: #666666; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #666666; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;">再現藏于散落一地的物件背後能喻指的存在與 記憶痕跡。</span><br />
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;">《Ghost House》 is developed out of the artist’s concern for architecture.He developed this series during his travels around the world in recent years. Invited by tamtamART TAIPEI.PIX, Matalon has selected works photographed in Taiwan and Israel. While abandoned houses and ruins are fascinating subjects, the artist goes beyond spectator. Matalon resists the role of spectating recorder, and disturbs the trace of time in these spaces by rearranging objects, alluding to existence and memory in recreating a “still here” presence in these abandoned buildings.</span><br />
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<span style="color: #666666;"></span><br /></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-72976135287695606332014-03-03T06:13:00.001-08:002014-05-04T06:07:35.156-07:00<br />
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: large;">DamDamBong:10mins talking vol.01</span></div>
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<span style="font-size: large;"><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"> </span><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">2014. 02. 28 8PM</span></span></div>
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">「<span lang="EN-US">Dam Dam Bong</span>」為立方計劃空間與<span lang="EN-US">tamtamART TAIPEI</span><span lang="EN-US"> IPIX</span>共同合作,於<span lang="EN-US">2014</span>春天開始不定期舉辦的<span lang="EN-US">10mins talking</span>系列講座,邀請人可以在十分鐘內盡情發表分享所見所聞,上至外星生物、下至陰間世界,鄉野趣談也好,怪力亂神也罷,什麼都可以談,什麼禁忌
都沒有,而唯一敬謝不敏的話題就是任何的藝術創作或策展計畫。或許不「藝術」,是一條更接近「藝術」的途徑。</span></div>
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<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; font-weight: normal; line-height: 17px; text-align: left;">--------------------------</span><wbr style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; font-weight: normal; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; font-weight: normal; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; font-weight: normal; line-height: 17px; text-align: left;">----------</span><span class="text_exposed_show" style="background-color: white; color: #333333; display: inline; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; font-weight: normal; line-height: 17px; text-align: left;"><br />賴火旺 (?)<br />主題:【亞洲混流路徑】<br />※ 穿透二次元的現實山寨品味:由一些亞洲偶像團體的範例討<wbr></wbr><span class="word_break" style="display: inline-block;"></span>論文化題裁優越鏈中的品味互責結構。<br />※ 史觀不連貫的戲劇穿越:八零後台灣潮流文化中逐漸消失的<wbr></wbr><span class="word_break" style="display: inline-block;"></span>青年魔幻系統。<br />------<br />黃詩婷(奧賽德工廠顧問,交通大學應用藝術研究所博士候<wbr></wbr><span class="word_break" style="display: inline-block;"></span>選人)<br />主題:【可見光譜之外】<br />------<br />賴英泰(奧賽德工廠顧問,長榮大學台灣研究碩士)<br />主題:【異國之眼】<br />------<br />張恩滿 (藝術家)<br />主題:【城市少女與獵槍】<br />------<br />郭昭蘭(獨立策展人)<br />主題:【郭慶輝是一位藝術家】<br />------<br />王咏琳(獨立策展人)<br />主題:【森林復育注意事項】<br />------<br />蔡宛璇(藝術家)<br />主題:【選讀】<br />------<br />羅仕東(藝術家)<br />主題:【世界上最後一個人獨自坐在房間裡,忽然,他聽見<wbr></wbr><span class="word_break" style="display: inline-block;"></span>了敲門聲…..】</span><br />
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-53080252116621227202014-02-05T07:55:00.000-08:002014-02-12T23:47:50.773-08:00Loop # 04<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
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<span style="background-color: white;"><b><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: large;">減肥瘦身操<span lang="EN-US">LOSE WEIGHT EXERCISE
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<span style="background-color: white;"><b><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: large;"><span lang="EN-US">2011, Video 7’ 32”</span><span lang="EN-US"><o:p></o:p></span></span></b></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white;"><b><span style="font-size: large;">洪韵婷<span lang="EN-US">+</span>鄒逸真<span lang="EN-US"> Yun-Ting HUNG + I-Chen TSOU</span><span lang="EN-US"> (TW)</span></span></b></span><span lang="EN-US" style="background-color: #999999; font-size: 10pt;"><o:p></o:p></span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span style="font-size: 11.5pt;">減肥瘦身操是一個表演計畫:</span><span lang="EN-US" style="font-size: 11.5pt;">HUNGER</span><span style="font-size: 11.5pt;">在字義上,除了飢餓,還有擁有某種事物的渴望。此時,不論男女,對於身體的</span><span lang="EN-US" style="font-size: 11.5pt;">"</span><span style="font-size: 11.5pt;">完美塑型</span><span lang="EN-US" style="font-size: 11.5pt;">"</span><span style="font-size: 11.5pt;">,都有了更嚴苛,更多元化的標準,甚至達到</span><span lang="EN-US" style="font-size: 11.5pt;"> "</span><span style="font-size: 11.5pt;">渴望飢餓</span><span lang="EN-US" style="font-size: 11.5pt;"> - hunger for hunger" </span><span style="font-size: 11.5pt;">的病態念頭。因此在這一系列的表演行為裡,企圖透過一場類似減肥瘦身操的詼諧動作,嘲諷這個怪異現象。透過這些既熟悉又荒誕的塑身行為,如此充斥著詭異又病態的氛圍,試想提問,</span><span lang="EN-US" style="font-size: 11.5pt;">hunger</span><span style="font-size: 11.5pt;">已經變成了什麼?</span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="font-size: 11.5pt;">Lose Weight Exercise is a performance project. The
description of hunger in both physiology and psychology can be understood
singularly as a “strong desire.” Nowadays both men and women have a new
standard for the perfect physical shape, which is more stringent than it has
ever been. At some point, people may even become mired down in a morbid cycle
of yearning - or “hungering”- after hunger. They intend to mock this bizarre
social phenomenon through her performance series Lose Weight Exercise. Through
this familiar yet ridiculous behavior, presented in such a strange and morbid
atmosphere, the artist attempts to question what hunger has become.</span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span><br />
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<span style="background-color: white;"><b><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: large;">反作用力<span lang="EN-US"> COUNTERFORCE </span></span></b></span></div>
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<span style="background-color: white;"><b><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: large;"><span lang="EN-US">2010, Video
Documentation 1' 22"</span><span lang="EN-US"><o:p></o:p></span></span></b></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white;"><b><span style="font-size: large;">黎正恬<span lang="EN-US"> Jennis Cheng-Tien LI </span><span lang="EN-US">(SG)</span></span></b></span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="font-size: 11.5pt;">Schreber</span><span style="font-size: 11.5pt;">先生和</span><span lang="EN-US" style="font-size: 11.5pt;">Schreber</span><span style="font-size: 11.5pt;">公園是此研究計劃的主題。</span><span lang="EN-US" style="font-size: 11.5pt;">Schreber</span><span style="font-size: 11.5pt;">先生發明的設備讓人聯想到現代的健身器材,以及他以自己的小孩作實驗,來支持他一個孩子過多的精力需要被釋放的理論。此藝術作品結合了學術上的研究和個人的情感,並以一個雕塑的形式呈現。然而此設備的原本單純的功能性被轉化成荒謬語彙。</span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="font-size: 11.5pt;">The project is a consequence of my research on the
founding of the "Schrebergarten" and Mr Schreber who devised
apparatuses reminiscent of contemporary gym equipment and experimented on his
children to support his theory on children's excessive energy and its need to
be released. The final artwork is a synthesis of intellectual research and
personal emotion. It boils down to the form of a sculpture. The mere
functionalities of the original equipment have been translated into absurdity. </span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span><br />
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<span style="background-color: white;"><b><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: large;">羽球舞<span lang="EN-US"> DANCING IN BADMINTON
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<span style="background-color: white;"><b><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: large;"><span lang="EN-US">2012, Video Documentation 10’ 13”</span><span lang="EN-US"><o:p></o:p></span></span></b></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white;"><b><span style="font-size: large;">吳建瑩<span lang="EN-US"> Chien-Ying WU</span><span lang="EN-US"> (TW)</span></span></b></span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span style="font-size: 11.5pt;">開始於一個觀念,過程是工作坊,最後完成於一齣舞蹈表演。</span><i><span lang="EN-US" style="font-size: 11.5pt;">Dancing in Badminton</span></i><span lang="EN-US" style="font-size: 11.5pt;"> </span><span style="font-size: 11.5pt;">跨越與自在的形式,是將孩子們帶進藝術實踐領域的工具。亦即,作者無意深研造形語彙,而僅是抓住該藝術形式最簡單的構成元素,並將藝術的入門門檻拉低至日常實踐的範圍。然而,這並非回應由上而下的技術普及化,卻是由低探高的藝術參與,用意在不同領域裡引進新的能量</span><span lang="EN-US" style="font-size: 11.5pt;">…</span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="font-size: 11.5pt;">Starting from a concept, this artwork, of which the
process is conducted by workshops, is finished by a dance show at the end. The
liberal and transdisciplinary form of Dancing in Badminton is a tool to bring
children into the domain of practice of arts. That is, the artist has no
intention to study the language of plastic arts, but to grab the simplest
component of art form and to lower the entry barrier of art to the domain of
practice of everyday life. However, it doesn’t respond to the dominant tendency
in the primacy of art skills and techniques, but to the public initiative in
participation of art, with intention to bring in new energies from different
domains. </span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span><br />
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<span style="background-color: white;"><b><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: large;">建成健康乖乖操<span lang="EN-US"> </span><span lang="EN-US">JAN CHENG GOODY-GOODY </span><span lang="EN-US"> EXERCISE </span></span></b></span><br />
<span style="background-color: white;"><b><span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: large;"><span lang="EN-US">2013, Video
2' 29"</span><span lang="EN-US"><o:p></o:p></span></span></b></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 11.5pt;">In 2013, MOCA Taipei invited artist
Yu-Jun Ye to participate in the program“Artist in School Residence Program”,
and together with Jan Cheng Junior High School’s teachers to collaborate in
coming up with creative courses based on performance art concepts, which were
taught to the 287 8</span><sup><span lang="EN-US" style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 7pt;">th</span></sup><span lang="EN-US" style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 11.5pt;"> grade students of the
school. Yu-Jun Ye incorporated into the curriculum her recent experiences with
performance art in public spaces and also other creative experiences she
acquired from art residence programs. The series of creative activities have
garnered a collection of diverse and interesting works.</span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span><br />
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: large;"><b>藝術家介紹</b></span><br />
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<span style="background-color: #cccccc;"><span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><b><span style="font-size: 11.5pt;">洪韵婷</span><span lang="EN-US" style="font-size: 11.5pt;"> Yun-Ting HUNG</span></b></span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;">洪韵婷生於臺灣台南,<span lang="EN-US">2006</span>年自台灣藝術大學藝術造型藝術研究所畢業,<span lang="EN-US">2009</span>年受邀於德國德勒斯登<span lang="EN-US">Ostrale</span>國際當代藝術展覽中展出<span lang="EN-US">;
2010</span>年以大師班傑出藝術家文憑畢業於德國國立德勒斯登高等藝術學院,至今,作品曾展於紐約佛蒙特、巴黎、柏林等地。</span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="font-size: 11.5pt;">Yun-Ting Hung was born in Tainan. In 2006, she
accomplished her degree Master of Art, postgraduate studies at National Taiwan
University of Arts. In 2008, she attended the Kunsthochschule für Bildenden
Künste in Dresden for Meisterstudium. Hung has exhibited widely
internationally. Her important shows include the Halle am Wasser, Berlin(2011)
; National Taiwan Museum of Fine Arts Taiwan, (2010); International exhibition
for contemporary art Ostrale 09 Dresden Germany (2009). At the same time she
received her Public award, Ostrale 09 and Freeman Foundation Asian Artist’s
Fellowship.</span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><b style="background-color: #cccccc;">黎正恬<span lang="EN-US"> Jennis Cheng-Tien LI</span></b></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="font-size: 11.5pt;">Born in Taiwan, Jennis Li Cheng Tien studied Interactive
Media Design In Singapore and work in advertising agencies for several years.
In 2008 she relocated to Germany where received her MFA in Public Art and New
Artistic Strategies in 2010 at the Bauhaus University of Weimar, Germany. Li
has since exhibited internationally with her work in Germany, USA, Spain,
France, Italy and Taiwan among others.</span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span style="font-size: 11.5pt;">黎正恬生於台灣,曾於新加坡攻讀媒體設計學位,並於當地從事相關工作數年。</span><span lang="EN-US" style="font-size: 11.5pt;">2010</span><span style="font-size: 11.5pt;">年獲得德國威瑪包浩斯大公共藝術與藝術策略碩士。作品於德國,美國,西班牙,法國,義大利等世界各地展出。</span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span></div>
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<b><span style="background-color: #cccccc; color: #666666; font-family: Arial, Helvetica, sans-serif;"><span style="font-size: 11.5pt;">吳建瑩</span><span lang="EN-US" style="font-size: 11.5pt;"> Chien-Ying WU</span></span></b></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="font-size: 11.5pt;">1983</span><span style="font-size: 11.5pt;">年生於臺灣臺中,現工作與生活於巴黎</span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="font-size: 11.5pt;">Born 1983 in Taichung, Taiwan. Currently lives and works
in Paris</span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><b style="background-color: #cccccc;"><span style="font-size: 11.5pt;">鄒逸真</span><span lang="EN-US" style="font-size: 11.5pt;"> I-Chen TSOU</span></b></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="font-size: 11.5pt;">1983</span><span style="font-size: 11.5pt;">生於臺灣台北,</span><span lang="EN-US" style="font-size: 11.5pt;">2008</span><span style="font-size: 11.5pt;">取得國立台灣藝術大學美術系暨輔系電影系學士學位。</span><span lang="EN-US" style="font-size: 11.5pt;">2010</span><span style="font-size: 11.5pt;">取得法國格諾柏勒高等美術學院學士學位,並於</span><span lang="EN-US" style="font-size: 11.5pt;">2012</span><span style="font-size: 11.5pt;">以特優評分取得該校造形藝術碩士文憑。作品以身體、行為觀念及錄像為主。錄像作品曾於</span><span lang="EN-US" style="font-size: 11.5pt;">2010</span><span style="font-size: 11.5pt;">獲得法國巴黎錄像藝術節第三名,為唯一獲獎亞州人。同年紀錄短片獲邀參與第三屆法國里昂福爾摩沙電影節播放,再於</span><span lang="EN-US" style="font-size: 11.5pt;">2012</span><span style="font-size: 11.5pt;">獲邀法國紀錄片月播放。</span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="font-size: 11.5pt;">Born in Taipei, Taiwan. In 2008 she obtained a bachelor's
degree of fine arts, also of motion cinema from National Taiwan University of
Arts. In 2010 she obtained another bachelor’s degree of fine arts from ÉSAD (
L'École Supérieure d’Art et Design Grenoble-Valence, France). Later in 2012,
she obtained a master’s degree with premium grades from ÉSAD. Ichen’s works
focus on body art, conceptual act art, video art. One of her video works won
third prize in the Festival of video art in Paris, France, 2010, she is the
only Asian of all award winners. In the same year, her short film was selected
by 3th Festival Formosa film, Lyon, France, and later in 2012 the film was
invited to play in Documentary Month, France.</span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span style="font-size: 11.5pt;">自</span><span lang="EN-US" style="font-size: 11.5pt;">2001</span><span style="font-size: 11.5pt;">年起,留學於法國,取得國家高等造型藝術文憑,及索邦大學藝術與數位媒體雙碩士。作品的形式以行為藝術、錄像裝置、聲音表演為主。關注於身體的私人、公共空間的關係。回台後,專注於在公共空間的行為表演,以及以</span><span lang="EN-US" style="font-size: 11.5pt;">“</span><span style="font-size: 11.5pt;">藝術版圖擴張</span><span lang="EN-US" style="font-size: 11.5pt;">“</span><span style="font-size: 11.5pt;">為計畫目標,希望在藝術的疆界中,藉由觀念、行式的突破。重要的作品:「行動中的城市」「寶藏皇宮青年旅社」、「一個游擊性的表演</span><span lang="EN-US" style="font-size: 11.5pt;">One Night Band</span><span style="font-size: 11.5pt;">」、「游擊快炒果汁吧」。目前為「</span><span lang="EN-US" style="font-size: 11.5pt;">instant 42</span><span style="font-size: 11.5pt;">」負責人。</span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="font-size: 11.5pt;">She had studied in France since 2001, and obtained a
Master’s degree of DNDEP from Ecole Nationale Supérieur d'Arts de Paris-Cergy
and a Master’s degree of Art et Media Numérique from Paris1–Sorbonne. The forms
of her works are mainly of performance arts, video installations, and sound
performances, focusing on private and public spaces of bodies and public
relations. After returning to Taiwan in 2009, he has placed his focus on
performance art in public spaces and the goal of “expanding the domain of art”,
in hopes of bringing new possibilities to contemporary art through breaking the
limitations on concepts and forms in the territory of art. His important works
in the recent years include “City Action Series” (2009), “Treasure Palace Youth
Hostel ” (2010), and “One Night Band” (2011-2012), Guerrilla juice
bar(2013).Now,She is Responsible and createur of art space “instant 42” in
Luzhou.</span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span></div>
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<span style="color: #666666; font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US">www.blog.roodo.com/yujunye</span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="color: #666666; font-family: Arial, Helvetica, sans-serif;">www.yujunye.blogspot.com</span><span style="font-family: Times; font-size: x-small;"><o:p></o:p></span></span></div>
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<!--EndFragment-->Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-84812706299118325692013-12-30T17:24:00.002-08:002014-02-05T07:38:24.610-08:00<br />
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<span style="color: #444444;"><span style="font-size: large;"><b><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;">Paper & Ink</span><br style="background-color: white; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;" /><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;">陳奕伶個展 Yi-Ling CHEN sols exhibition</span></b><br /><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"><b><br /></b></span></span></span></div>
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<span style="color: #444444;"><span style="font-size: large;"><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"><b>2014. 01. 04 - 2014. 01. 26</b></span></span><br /><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><b></b></span><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px; text-align: left;"><b><span style="font-size: large;">Opening : 01. 04, 19PM</span></b></span></span><br />
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font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /><a href="https://www.facebook.com/media/set/?set=a.689926857719074.1073741838.152319158146516&type=3" target="_blank">PHOTOS</a></span><br />
<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">陳奕伶個展「Paper & Ink」將以版畫媒材作為數位影像創作之觀點。藝術家長</span><wbr style="background-color: white; color: #333333; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">期接觸版畫材料,油墨與紙張為版畫製作中之必需,這次取</span><wbr style="background-color: white; color: #333333; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">自版畫製作流程中,後製所產生的時間性作為創作主軸,並</span><wbr style="background-color: white; color: #333333; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">透過影像呈現。</span><br />
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<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">版畫後製過程含套版、疊色、對位…等。一般而言,透過這</span><wbr style="background-color: white; color: #333333; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">些流程,作品使得印製完成。而以影像創作,仍是依照版畫</span><wbr style="background-color: white; color: #333333; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">材料使用的慣性;例如油墨疊印在紙張上所重疊的時間性,</span><wbr style="background-color: white; color: #333333; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">及油墨的流動以影像紀錄下產生的線性過程。並將線性的時</span><wbr style="background-color: white; color: #333333; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">間再轉換於空間展呈。當觀者通常看見作品時,多數已是完</span><wbr style="background-color: white; color: #333333; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">成的狀態。在此影像與油墨皆為流動形式,在虛幻與溢流的</span><wbr style="background-color: white; color: #333333; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">視覺感,投射在厚重的層層紙張中。而溢出油墨,在紙張堆</span><wbr style="background-color: white; color: #333333; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">疊的邊緣所架構的紙邊框架中流動。動態影像的方式記錄與</span><wbr style="background-color: white; color: #333333; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">呈現對於油墨的另一種創作詮釋。</span><br />
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<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">影像的線性記錄,將隱身於版畫創作後,其紙張或是油墨等</span><wbr style="background-color: white; color: #333333; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">相關材料所產出的媒材語言,作為延伸版畫語法的途徑之一</span><wbr style="background-color: white; color: #333333; font-family: "lucida grande", tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">。</span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-13734082019515433602013-11-25T23:42:00.003-08:002014-02-05T07:36:52.578-08:00<br />
<span style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: large; line-height: 18px;"><b>鏡 . 花園 系列展五 </b></span><br />
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<span style="line-height: 17px;"><span style="color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: large;"><b>Garden of Mir(ror/acle) series exhibition V</b></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; line-height: 17px;"><span style="background-color: transparent; color: #444444; font-size: large; line-height: 18px;"><b>建小屋 台北 : 鄒逸真</b></span></span></div>
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<b><span style="font-size: large;"><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">TAIHAKU </span><span style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif;">: </span><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; line-height: 17px;"><span style="background-color: transparent; color: #444444; line-height: 18px;">I-Chen TSOU</span></span></span></b></div>
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<b style="background-color: transparent;"><span style="font-size: large;"><span style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif;">2013. 12</span><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">.</span><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"> 01 - 2013. 12. 22</span></span></b></div>
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<span style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: large;"><b>Opening : 12. 01 3PM</b></span></div>
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<span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">台北城市感-緊依緊鄰的關係與距離,讓人們所見的建築樣</span><wbr style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">貌僅剩局部。快速的變化,城市樣貌局部的被存入記憶裡,</span><wbr style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">過去的、進行中的、未來的…同時無停歇、無靜息的重疊交</span><wbr style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">替、交替重疊。</span><br />
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<span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">建小屋系列是藝術家自2013年初開始的城市創作計畫,</span><wbr style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">企圖透過作品微建構各城市窸窣喃語的換貌狀態。</span><br />
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<span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">Because of city feel of Taipei – close neighboring relationships and distances, people can only see parts of appearances of buildings. Rapid changes and partial appearances of the city are stored in memories, in the past, in progress, in the future, all overlapping and alternating, alternating and overlapping, silently, without stop.</span><br />
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<span style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">This series is a project of city creative works by artists since 2013, with the purpose of constructing various appearances and states of the voices and sounds of the city.</span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-90692340993830908622013-10-12T21:03:00.000-07:002014-02-05T07:36:23.591-08:00<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">ANTOINE D'AGATA </span></b><br />
<b><span style="font-size: large;"><span style="font-family: Arial, Helvetica, sans-serif;">趨近真實 / 虛無 </span><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; line-height: 19px; text-align: left; white-space: pre-wrap;">Toward reality / nothingness</span></span></b><br />
<b style="font-family: Arial, Helvetica, sans-serif; line-height: 19px; text-align: left; white-space: pre-wrap;"><span style="font-size: large;">藝術家座談+實驗攝影計劃</span></b><br />
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<b><span style="font-size: large;"><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; line-height: 19px; text-align: left; white-space: pre-wrap;">2013. 11. 01 / 02</span></span></b><br />
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<span style="background-color: white; color: #333333; line-height: 19px; text-align: left; white-space: pre-wrap;"><span style="font-family: Arial, Helvetica, sans-serif;">變形的身體 失序的世界
永無止盡的虛無
關於如何在這個世界上存活
以肉身碰撞 接近真實</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">ANTOINE D'AGATA, </span><span style="font-family: Arial, Helvetica, sans-serif;">1961 年生於馬賽,1983 年起離開法國,於 1990 年赴紐約國際
攝影中心與 Larry Clark 及 Nan Goldin 學習攝影。1993 年返
回法國,並中斷四年攝影工作。1998 年出版攝影集《 De Mala
Muerte》與《De Mala Noche》。2001 年榮獲涅普斯攝影大獎。
2003 年九月於巴黎舉辦《一千零一夜》個展,並出版《Vortex》
與《Insomnia》兩本攝影集。2004 年成為馬格蘭攝影通訊社
成員之一,並出版第五本攝影集《Stigma》及短片《El Cielo
del muerto》。隔年再出版《Manifest》攝影集。2006 年於東
京拍攝第二部電影《Aka Ana》,本片榮獲 2008 年 Festival
du film- Entrevus,Berfort 紀錄片長片評審團大獎。2005 年
起成為自由攝影師。2013 年於巴黎最負盛名的影像藝術館 Le
Bal 舉辦大型個展,並完成第一部長片《Atlas》與攝影書籍
《Anticorps》,此書得到 2013 年亞爾攝影展最佳作者獎。攝
影作品已被法國當代藝術基金會、法國國家圖書館、歐洲攝影
館、葡萄牙國家攝影博物館、德國法蘭克福 DC 銀行等機構所典藏。</span><br />
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<span style="background-color: #cccccc;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>2013. 11. 1 / </b></span><b style="font-family: Arial, Helvetica, sans-serif;">20:00 - 22:00</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><b style="background-color: #cccccc;">攝影實驗計劃 Photography Experimental Program</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><b>鄭文絜 Wen-Jei CHENG</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">--------------------------------------------</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">tamtamART TAIPEI. IPIX, 2F</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">台北市北平東路20-3號 / </span><span style="background-color: white; color: #333333; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small; line-height: 18px; text-align: -webkit-auto;">No.20-3, Beiping E. Rd., Zhongzheng Dist., Taipei City</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">www.tamtamart.de</span><br />
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<span style="background-color: #cccccc;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>2013. 11. 2 / </b></span><b style="font-family: Arial, Helvetica, sans-serif;">14:30 - 16:30</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><b style="background-color: #cccccc;">藝術家座談 Artist Talk</b></span><br />
<b><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px; text-align: left;">ANTOINE D'AGATA+</span></b><br />
<b><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px; text-align: left;">黃亞紀Ya-Ji HUANG+劉永晧Yung-Hao LIU+</span></b><br />
<b><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px; text-align: left;">姚立群Li-Qun YAO+鄭文絜 </span><span style="font-family: Arial, Helvetica, sans-serif;">Wen-Jei CHENG</span></b><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;">-------------------------------------------</span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;">台北市立美術館 圖書室 / Taipei Fine Arts Museum, Art Library</span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;">台北市中山北路三段181號 / No.181, Sec.3, Zhongshan N. Rd., Taipei City</span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">www.tfam.museum</span><br />
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<span style="background-color: white; color: #666666; font-family: Arial, Helvetica, sans-serif; line-height: 19px; text-align: left; white-space: pre-wrap;"><br /></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-70696007364550389392013-10-10T00:05:00.001-07:002014-02-05T07:35:29.439-08:00<b style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: x-large; line-height: 18px;">鏡 . 花園 系列展四 </b><br />
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<span style="line-height: 17px;"><span style="color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: large;"><b>Garden of Mir(ror/acle) series exhibition IV</b></span></span></div>
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<span style="font-size: large;"><span style="font-family: Arial, Helvetica, sans-serif; line-height: 17px;"><span style="background-color: transparent; color: #444444; line-height: 18px;"><b>The Practices of Everyday Life No.1. / No.2. : </b></span></span><b style="color: #444444; font-family: Arial, Helvetica, sans-serif;">何昱達</b></span></div>
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<span style="font-size: large;"><b style="color: #444444; font-family: Arial, Helvetica, sans-serif;">The Practices of Everyday Life </b></span><b style="color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: x-large;">No.1. / No.2. </b><b style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: x-large;">: </b><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: large; line-height: 17px;"><span style="background-color: transparent; color: #444444; line-height: 18px;"><b>Yuda HO</b></span></span></div>
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<b style="background-color: transparent; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: x-large;">2013. 10. 19 - 2013. 11. 10</b></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #262626;"><br /></span></span><span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #262626;"></span></span><span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #262626;"><a href="https://www.facebook.com/media/set/?set=a.645290238849403.1073741835.152319158146516&type=3" target="_blank">PHOTOS</a></span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #262626;"><br /></span></span>
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #262626;">如果將城市看作ㄧ個巨大機器,它無時無刻都在運行著繁殖,破壞,與再造的過程,而生活在城市中的人們,終其一生也就為了服侍這巨大機器而勞動,工作。我們無力去改變這城市,相反地,我們隨著城市ㄧ同呼吸,脈動,透過影像,建築與景觀中累積我們對城市的感知。在這永無止境的機器運動中,</span><span lang="EN-US" style="color: #262626;">"</span><span style="color: #262626;">記錄,城市</span><span lang="EN-US" style="color: #262626;">”</span><span style="color: #262626;">成為我每日的練習工作。</span><span lang="EN-US" style="color: #262626;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="color: #262626;"><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="background-color: white; color: #262626; font-family: Arial, Helvetica, sans-serif;">No.1</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #262626;">在空間中懸掛起</span><span lang="EN-US" style="color: #262626;">6</span><span style="color: #262626;">面並置的螢幕,兩台投影機對立設置,投影出所拍攝的ㄧ天</span><span lang="EN-US" style="color: #262626;">24</span><span style="color: #262626;">小時的影像片段,但卻彼此時序相反。投影光線的逐漸螢幕並置擴大失焦,當光線失焦的同時亦象徵時間的消逝。而兩台投影機的光線重疊交錯,代表ㄧ個時間的消散,與另ㄧ個時間的開始,影片的循環與投影光的循環,創造出ㄧ個週而復始,日複ㄧ日的生活週期。</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="color: #262626;"><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="background-color: white; color: #262626; font-family: Arial, Helvetica, sans-serif;">No.2</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="color: #262626;"><span style="font-family: Arial, Helvetica, sans-serif;">把在城市中的景觀,以水平與縱向的方式將影片做切割,在縱向的影像中,影像中的人物像是在面對自己,與自己對話的過程;在水平的影像中,則是橫切把人從中間切開,構成ㄧ個沒有頭(思想)只有腳的物體,在城市中勞動,行走。</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="color: #262626;"><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US" style="color: #262626;"><span style="font-family: Arial, Helvetica, sans-serif;">Taking consideration into
the city as a self-motion machine, the function of city operates autonomously
in which the role of human being is relatively limited, and the density of
human being is nothing less than serving to this system within little changes
and improvements. On the contrary, we breath and live in the city rhythm
whereas image, architecture and the spectacle accumulate our perception to the
city. In this endless circulation
mechanical movement, the way of documenting city life becomes my practices
of everyday life.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US" style="color: #262626;"><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US" style="color: #262626;"><span style="font-family: Arial, Helvetica, sans-serif;">No.1</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US" style="color: #262626;"><span style="font-family: Arial, Helvetica, sans-serif;">By hanging 6 parallel
fabric screens in the space, the moving image is projected by the two
projectors from the opposite position enlivening a journey of everyday life in
24 hours. When two projected images are overlapping as a montage of broken
screens, the beam of projection light represents the beginning of one time and the
disappearance of the other. The loop of light and images thus acted as space
inverting boundary surfaces between inner and outer space in a way reminiscent
of Escher’s etching “three worlds”.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US" style="color: #262626;"><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US" style="color: #262626;"><span style="font-family: Arial, Helvetica, sans-serif;">No.2</span></span></div>
<div style="text-align: justify;">
<span lang="EN-US" style="color: #262626;"><span style="background-color: white; font-family: Arial, Helvetica, sans-serif;">In this installation, the urban landscape is visually
divided by a vertical line and a horizon line. In the vertical direction, the
moving image create a mirror effect which evokes a scenario of self-consciousness.
In the horizon direction, the character of image presents a sci-fi look
creature with only 4 legs which represents a urban symbolism in human tragedy.</span></span></div>
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</span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-16039176969871098842013-09-08T10:17:00.000-07:002014-02-05T07:33:25.410-08:00<span style="background-color: white; color: #333333; line-height: 17px; text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><b>ROOT + tamtam vol. 1</b></span></span><br />
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<span style="background-color: white; color: #333333; line-height: 17px; text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><b>2013. 09. 22 16 -18PM</b></span></span><br />
<b style="font-family: Arial, Helvetica, sans-serif; text-align: center;"><span style="background-color: white; color: #333333; line-height: 17px; text-align: left;"><span style="font-size: large;">蓮沼執太 x 牛俊強</span></span></b><br />
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<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">日本與台灣創作者的對談。tamtamART TAIPEI IPIX首次與日本Root計畫合作,透過skype連</span><wbr style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">結兩地空間、創作者及觀眾,分享作品、展開對話。</span><br />
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<span class="text_exposed_show" style="background-color: white; color: #333333; display: inline; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><br /></span>
<span class="text_exposed_show" style="background-color: white; color: #333333; display: inline; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">Root<br /><a href="http://www.root-xiaoshan.com/" rel="nofollow nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank">root-xiaoshan.com</a><br /><br />蓮沼執太<br />1983年出生於東京。發行音樂作品, 組成蓮沼執太交響管弦樂團於國內外進行公演、委託創作作<wbr></wbr><span class="word_break" style="display: inline-block;"></span>品,並多次攜手與不同領域創作者共同創作。發行四張一套<wbr></wbr><span class="word_break" style="display: inline-block;"></span>的專輯《CC OO》(2012年HEADZ/<wbr></wbr><span class="word_break" style="display: inline-block;"></span>UNKNOWMIX)、執導舞台作品《TIME》(201<wbr></wbr><span class="word_break" style="display: inline-block;"></span>2年神奈川藝術劇場、國立新美術館)、主要個展為《ha<wbr></wbr><span class="word_break" style="display: inline-block;"></span>ve a go at flying from music part 3》(2011年BLOOMBERG PAVILION PROJECT東京都現代美術館)、《音的 soundlike》(2013年Asahi Art Square)。預計今年11月份將在神戶Art Village Center舉辦個展《音的→神戸|soundlike<wbr></wbr><span class="word_break" style="display: inline-block;"></span>2》。受Asian Cultural Council的邀請,從2014年起將赴紐約深造。現<wbr></wbr><span class="word_break" style="display: inline-block;"></span>正在籌備蓮沼執太交響管弦樂團的錄音專輯。</span><br />
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<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">牛俊強</span><br />
<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">1983年生。畢業於國立台北藝術大學科技藝術研究所。</span><wbr style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">從事錄像、實驗電影、攝影、複合媒材裝置等創作。牛俊強</span><wbr style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">近期作品多以生命經驗出發,並且與參與者共寫敘事歷程。</span><wbr style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">在這樣創作過程中,他探討人與人之間微妙的牽連、不可見</span><wbr style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">的交會、個人到群體的生命意識。他在其中也抵抗了物質性</span><wbr style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">的消解,和單一視覺性的創造。曾參與鹿特丹國際影展短片</span><wbr style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">競賽、美國Pixilerations新媒體藝術展、紐</span><wbr style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">約 cutlog NY Art Fair-Urban Illusions 、西班牙Aguilar影展、法國Tours亞洲電影節</span><wbr style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">、法國ARTchSO錄像藝術節、北京夏日數位娛樂節、</span><wbr style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">澳門VAFA藝術節、兩岸四地藝術交流計劃、台北金馬影</span><wbr style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">展、台北美術獎、台灣國際錄像藝術展、台北電影節等國內</span><wbr style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">外展覽。作品「即使她們從未相見」獲頒第35屆金穗獎最</span><wbr style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></wbr><span class="word_break" style="background-color: white; color: #333333; display: inline-block; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"></span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">佳實驗片。</span><br />
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><b>Yi Shan Qing Yun : Jo-Mei LEE</b></span></span><br />
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<b style="font-family: Arial, Helvetica, sans-serif; line-height: 18px; text-align: left;">2013. 09. 14 - 2013. 10. 06</b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #262626; font-size: 11pt;">兩年前,他死了。他每日勞作勞作過大半生的園子,如今大多已亂生野草。他原有的絲瓜棚子,部分由一家鄰農接管,日日灑水續種絲瓜;部分農地則由他的兒子整頓成櫻花樹園,培植櫻花樹苗。園裡一座儲放農具與他下工暫憩的工寮裡,各類器物擺放在他最後一次使用的位置上</span><span lang="EN-US" style="color: #262626; font-size: 11pt;">......</span><span style="color: #262626; font-size: 11pt;">一次,我伴他再度踏上這座園子,我將他收束成一道光,將他自手持著的手電筒裡折射出去,讓他伴我打亮田埂徑。我們在園子裡迂迴繞行,穿過一叢叢過膝過肩的雜草花,越過一段段炙熱的農作記憶,朝著花園的盡頭、時間的深處走去。</span></span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-4395587656977936702013-08-04T07:48:00.000-07:002014-02-05T07:32:03.410-08:00<div class="separator" style="clear: both; text-align: left;">
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;"><b>鏡 . 花園 系列展二</b></span></span></div>
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<span style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 17px;"><span style="color: #444444; font-size: large;"><b>Garden of Mir(ror/acle) series exhibition II</b></span></span></div>
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;"><b>JOSEF BARES : READING SPACE</b></span></span></div>
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;"><b>2013. 08. 10 - 2013. 09. 01</b></span></span></div>
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<span style="color: #262626; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">系統中的符號是</span><span lang="EN-US" style="color: #262626; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Josef Bares</span><span style="color: #262626; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">所感興趣的範疇,使用著不同的方式來直觀式的傳達符號定義的過程</span><span lang="EN-US" style="color: #262626; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">-</span><span style="color: #262626; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">意義的創造,尤其是城市與語言的關係、空間與語義的關係。我們是如何</span><span lang="EN-US" style="color: #262626; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">“</span><span style="color: #262626; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">閱讀</span><span lang="EN-US" style="color: #262626; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">”</span><span style="color: #262626; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">我們生活的城市環境。城市建築通用在其自然中,然而它又存在著高度的文化差異</span><span lang="EN-US" style="color: #262626; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">-</span><span style="color: #262626; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">此特殊性乃是與語言共享的。</span></div>
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<span lang="EN-US" style="color: #262626;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Josef Bares’s area of interest lies in systems of signs. He uses different ways to visually convey the processes taking place in signification - the creation of meaning. He is especially interested in relationships between city and language, space and semantics: How we do ‘read’ our urban living environment. Architecture is universal in its ‘nature’, yet it is highly culturally different - a feature which it shares with language.</span></span></div>
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<a href="http://3.bp.blogspot.com/-omtza2Tj6Mk/Uf5pbvXSb2I/AAAAAAAABdg/YrJNpfzb_TY/s1600/front.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br /></a><a href="http://3.bp.blogspot.com/-omtza2Tj6Mk/Uf5pbvXSb2I/AAAAAAAABdg/YrJNpfzb_TY/s1600/front.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br /></a>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-88723668738956470492013-07-26T18:22:00.002-07:002015-10-16T21:31:53.135-07:00ASC<br />
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<a href="http://www.ascjoin.wix.com/ascool" target="_blank"><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">藝術庇護所與電影院(</span><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">The ART SHELTER AND CINEMA)</span></a><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">是一個當代媒體影音平台,尤其是針對新興和新世代的創作者而立,ASC將挑著戰實驗與創造力來與觀者分享。 ASC鼓勵激進的藝術與文化透過交流,展覽,活動等試圖突破社會和政治困境同時也提出另類的視野與大膽的想像.</span></div>
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><a href="http://www.ascjoin.wix.com/ascool" target="_blank">The ART SHELTER AND CINEMA (ASC)</a> is a contemporary media platform especially aimed at emerging artists and new generation. The ASC challenges experimentation, creativity and exchange with visitors. </span><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">The ASC encourages radical art and culture via communications, exhibitions and events to break through the social and political predicament as well as makes alternative visions and bold imagination.</span></div>
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<br class="Apple-interchange-newline" />ARCHIV ////////////////////////////////////////////////////////////////////////////////////////////</div>
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<b>第五届N分钟影像艺术节展映 上海二十一世纪民生美术馆</b></div>
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<span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;"><br /></span><span style="font-family: 新細明體;">地点:上海二十一世纪民生美术馆二楼多媒体互动室</span></div>
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<span style="font-family: 新細明體;">时间:</span><span lang="EN-US">2015</span><span style="font-family: 新細明體;">年</span><span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">11</span><span style="font-family: 新細明體;">日</span><span lang="EN-US">-9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">20</span><span style="font-family: 新細明體;">日</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體;">上海市浦东新区世博大道</span><span lang="EN-US">1929</span><span style="font-family: 新細明體;">号</span><span lang="EN-US"> (</span><span style="font-family: 新細明體;">近博成路及塘子泾路交界处</span><span lang="EN-US">)<o:p></o:p></span></div>
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<span style="font-family: 新細明體;">本次活动免费</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體;">当下物质富裕,视频的创作与普及性已随着网络与数码产品的日常化而普及,但公众对录像艺术的认知依旧非常有限。作为一个新时代的录像厅概念,</span><span lang="EN-US">N-Box</span><span style="font-family: 新細明體;">选择历届</span><span lang="EN-US">N</span><span style="font-family: 新細明體;">分钟优秀国际、国内选片,类别包括经典、年轻艺术家、动画、实验、视频、国外艺术节单元等等,与上海二十一世纪民生美术馆合作,作为</span><span lang="EN-US">M21“</span><span style="font-family: 新細明體;">影像地带</span><span lang="EN-US">”</span><span style="font-family: 新細明體;">的特别项目,希望对录像艺术有好奇心、或渴望了解未知的观众能够有机会与艺术家一起挑战观念,丰富视觉经验。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">• </span><span style="font-family: 新細明體;">北美艺术家单元</span><span lang="EN-US">—</span><span style="font-family: 新細明體;">力量与斗争(</span><span lang="EN-US">Strength and Struggle</span><span style="font-family: 新細明體;">)</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體;">策展人:</span><span lang="EN-US">Justin Hoover(</span><span style="font-family: 新細明體;">美国</span><span lang="EN-US"> Santa Cruz </span><span style="font-family: 新細明體;">美术馆</span><span lang="EN-US">)<o:p></o:p></span></div>
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<span lang="EN-US">1.Jennifer Locke<o:p></o:p></span></div>
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<span lang="EN-US">Choke 2'53'' / White/Red (Fake Blood) 59'1''<o:p></o:p></span></div>
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<span lang="EN-US">2.Kate Gilmore<o:p></o:p></span></div>
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<span lang="EN-US">My Love is Like an Anchor 7'03''/ Baby Belong to Me 3'36''/ Star Bright, Star Might 7'37''<o:p></o:p></span></div>
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<span lang="EN-US">3.Heather Cassils<o:p></o:p></span></div>
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<span lang="EN-US">• </span><span style="font-family: 新細明體;">瑞</span><span style="font-family: 'Adobe 明體 Std L';">⼠</span><span style="font-family: 新細明體;">艺术家</span><span lang="EN-US"> Peter Fischli & David Weiss </span><span style="font-family: 新細明體;">经典作品</span><span lang="EN-US"> The right way 55'</span><span style="font-family: 新細明體;">(</span><span style="font-family: 'Adobe 明體 Std L';">⽇</span><span style="font-family: 新細明體;">内瓦市</span><span lang="EN-US">FMAC</span><span style="font-family: 新細明體;">馆藏借展)</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體;">策展人:黎宁春</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">• </span><span style="font-family: 新細明體;">台湾单元</span><span lang="EN-US">—“tamtamART</span><span style="font-family: 新細明體;">主题选片《生存》</span><span lang="EN-US">”<o:p></o:p></span></div>
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<span style="font-family: 新細明體;">策展团队:</span><span lang="EN-US">tamtamART </span><span style="font-family: 新細明體;">台北</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">1. </span><span style="font-family: 新細明體;">吴梓宁</span><span lang="EN-US">Tzu-NingWu CyberNative : 5'21''<o:p></o:p></span></div>
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<span lang="EN-US">2. </span><span style="font-family: 新細明體;">杒佩诗</span><span lang="EN-US">Pei-ShihTu Lastwill : 7'15''<o:p></o:p></span></div>
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<span lang="EN-US">3. </span><span style="font-family: 新細明體;">陈依纯</span><span lang="EN-US">I-ChunChen Little Black's Whole Life in the Factory : 10'00''<o:p></o:p></span></div>
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<span lang="EN-US">4. </span><span style="font-family: 新細明體;">叶育君</span><span lang="EN-US">YuJunYe &Alexis Mailles Pacific Romance : 3'48''<o:p></o:p></span></div>
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<span lang="EN-US"> <o:p></o:p></span></div>
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<span lang="EN-US">• “A.S.C</span><span style="font-family: 新細明體;">当代媒体影音系列</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體;">策展团队:</span><span lang="EN-US">tamtamART </span><span style="font-family: 新細明體;">台北</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">1. </span><span style="font-family: 新細明體;">吴灿政</span><span lang="EN-US">Tsan - Cheng Wu the Walking City: 8' 00"<o:p></o:p></span></div>
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<span lang="EN-US">2. </span><span style="font-family: 新細明體;">詹育杰</span><span lang="EN-US">Yu-Chieh Chan At the end of the game: 4’20<o:p></o:p></span></div>
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<span lang="EN-US">3. </span><span style="font-family: 新細明體;">孙瑞鸿</span><span lang="EN-US">Ruey-Horng Sun car wash: 11’56”<o:p></o:p></span></div>
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<span lang="EN-US">4. </span><span style="font-family: 新細明體;">樊智铭</span><span lang="EN-US">Chih-Ming Fan landscape: 5’20”<o:p></o:p></span></div>
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<span lang="EN-US">5. </span><span style="font-family: 新細明體;">侯建呈</span><span lang="EN-US">HouChien Cheng All the Others: 10’16”<o:p></o:p></span></div>
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<span lang="EN-US">6. </span><span style="font-family: 新細明體;">何昱达</span><span lang="EN-US">Yuda Ho TheDundee Train: 1’36”<o:p></o:p></span></div>
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<span lang="EN-US">7. </span><span style="font-family: 新細明體;">徐嘒埙</span><span lang="EN-US">Hui-Hsuan Hsu Settlement?: 10’04”<o:p></o:p></span></div>
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<span lang="EN-US">8. </span><span style="font-family: 新細明體;">吴宜晔</span><span lang="EN-US">I-Yeh, Wu Inthe future: 3’35”<o:p></o:p></span></div>
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<span lang="EN-US">9. </span><span style="font-family: 新細明體;">李若玫</span><span lang="EN-US">Jo-Mei LEE Ishigaki Jima: 12’32”<o:p></o:p></span></div>
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<span lang="EN-US">10. </span><span style="font-family: 新細明體;">郑先喻</span><span lang="EN-US">Xian-Yu Zheng isISis</span><span style="font-family: 新細明體;">:</span><span lang="EN-US">5'00" version/ flexible </span><span style="font-family: 新細明體;">实时生成无片长(</span><span lang="EN-US">5</span><span style="font-family: 新細明體;">分钟输出版本)</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體;">排片表</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">11</span><span style="font-family: 新細明體;">日、</span><span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">15</span><span style="font-family: 新細明體;">日、</span><span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">16</span><span style="font-family: 新細明體;">日</span><span lang="EN-US"> 14:00 </span><span style="font-family: 新細明體;">(</span><span lang="EN-US">84min</span><span style="font-family: 新細明體;">)</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">• </span><span style="font-family: 新細明體;">北美艺术家选片</span><span lang="EN-US">—</span><span style="font-family: 新細明體;">力量与斗争(</span><span lang="EN-US">Strength and Struggle</span><span style="font-family: 新細明體;">)</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">13</span><span style="font-family: 新細明體;">日、</span><span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">14</span><span style="font-family: 新細明體;">日(</span><span lang="EN-US">55min</span><span style="font-family: 新細明體;">)</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">• </span><span style="font-family: 新細明體;">瑞</span><span style="font-family: 'Adobe 明體 Std L';">⼠</span><span style="font-family: 新細明體;">艺术家</span><span lang="EN-US"> Peter Fischli et David Weiss </span><span style="font-family: 新細明體;">经典作品(</span><span style="font-family: 'Adobe 明體 Std L';">⽇</span><span style="font-family: 新細明體;">内瓦市</span><span lang="EN-US">FMAC</span><span style="font-family: 新細明體;">馆藏借展)</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">17</span><span style="font-family: 新細明體;">日</span><span lang="EN-US">-9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">18</span><span style="font-family: 新細明體;">日、</span><span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">20</span><span style="font-family: 新細明體;">日</span><span lang="EN-US"> 14:00 </span><span style="font-family: 新細明體;">(</span><span lang="EN-US">88min</span><span style="font-family: 新細明體;">)</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">• </span><span style="font-family: 新細明體;">台湾单元选片</span><span lang="EN-US">—“tamtamART</span><span style="font-family: 新細明體;">主题选片《生存》</span><span lang="EN-US">”<o:p></o:p></span></div>
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<span lang="EN-US">• “A.S.C</span><span style="font-family: 新細明體;">当代媒体影音系列选片</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">N</span><span style="font-family: 新細明體;">分钟讲座</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">12</span><span style="font-family: 新細明體;">日</span><span lang="EN-US"> 14:00 </span><span style="font-family: 新細明體;">身体、耐力与表演文化</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">9</span><span style="font-family: 新細明體;">月</span><span lang="EN-US">19</span><span style="font-family: 新細明體;">日</span><span lang="EN-US"> 14:00 </span><span style="font-family: 新細明體;">台湾当代影像艺术座谈</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">N</span><span style="font-family: 新細明體;">分钟影像艺术节</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">N</span><span style="font-family: 新細明體;">分钟影像艺术节是一个艺术破墙的公共艺术项目。于</span><span lang="EN-US">2011</span><span style="font-family: 新細明體;">年创立,每年</span><span lang="EN-US">9</span><span style="font-family: 新細明體;">月至</span><span lang="EN-US">10</span><span style="font-family: 新細明體;">月以上海为主场,通过举办一系列如展览、影像放映、讲座、表演与论坛活动的实践,将影像类艺术创作形态延伸至公众生活可触及的城市空间,形成跨界互动,从而实践策展人对艺术介入公共空间的实验性探索,诠释公共艺术的新的可能。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體;">影像地带</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體;">影像地带是上海二十一世纪民生美术馆(</span><span lang="EN-US">M21</span><span style="font-family: 新細明體;">)公共教育部发起的一项长期支持影像和</span><span lang="EN-US">Video</span><span style="font-family: 新細明體;">艺术展映、研究和交流的公益项目。</span><span lang="EN-US">M21</span><span style="font-family: 新細明體;">将在分门类、分地区、分题材展映电影、动画、</span><span lang="EN-US">Video</span><span style="font-family: 新細明體;">艺术的同时,就相关问题发起讨论,并不定期组织工作坊和研讨会。力争集合艺术家、研究者和公众等多方力量,逐步建立起一个多领域开放并不断生长的</span><span lang="EN-US">M21</span><span style="font-family: 新細明體;">影像资料档案库,为支持当代影像艺术创作、理论研究和社会推广提供坚实的基础。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體;">交通指引</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體;">搭乘地铁人士可于</span><span lang="EN-US">7</span><span style="font-family: 新細明體;">号线长清路站</span><span lang="EN-US">(1</span><span style="font-family: 新細明體;">号口</span><span lang="EN-US">)</span><span style="font-family: 新細明體;">或地铁</span><span lang="EN-US">8</span><span style="font-family: 新細明體;">号线中华艺术宫站</span><span lang="EN-US">(3</span><span style="font-family: 新細明體;">号口</span><span lang="EN-US">)</span><span style="font-family: 新細明體;">出,步行约</span><span lang="EN-US">20</span><span style="font-family: 新細明體;">分钟抵达美术馆。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體;">自驾人士请选择塘子泾路入口进入美术馆。</span></div>
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<span style="font-family: Verdana, sans-serif; line-height: 18.48px;"><b>Hors Pistes Japon, Tokyo/Kyoto 2015</b></span></div>
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<span style="color: #444444;">6/20(Sat.)5:10pm : Taiwan Special program</span></div>
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<span style="color: #444444;">Artists: </span></div>
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<span style="color: #444444;">Tsan-Cheng Wu吳燦政, Ruey-Horng Sun, 樊志明Chih-Ming Fan, Yuda Ho何昱達, 吳宜曄I-Yeh, Wu, Jo-Mei Lee李若玫, Hsien Yu鄭先喻, Laza Wu 吳梓寧, 陳依純I-Chun Chen, YuJun Ye葉育君 x Alexis Mailles.</span></div>
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<span style="color: #141823; font-family: helvetica, arial, lucida grande, sans-serif; font-size: x-small;"><a href="http://www.horspistestokyo.com/">http://www.horspistestokyo.com/</a></span><br />
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-8977410492170203071.post-1113963730176291402013-07-15T10:22:00.001-07:002014-02-05T07:31:21.684-08:002013 世界聆聽日-台北聆聽計劃 WOLD LISTENING DAY - Soundwalk + Talk <div class="separator" style="clear: both; text-align: center;">
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<span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;"><b>/ 創作者:吳燦政</b></span><br />
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<b><span style="background-color: white; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;">計劃一 :</span></b><span class="text_exposed_show" style="background-color: white; display: inline; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 14px; line-height: 17px; text-align: left;"><b>世界聆聽日-台北聆聽計劃 : 2013年7月18日<br />@ 台北市北投區新興公園<br /><br />計劃二 :<br />Soundwalk + 座談 : 2013年7月20日<br />@ tamtamART TAIPEI .IPIX </b><br /><br /><br />計劃一 : Fieldrecording<br />時間:2013年7月18日<br />地點:台北市北投區新興公園<br /><br />計劃記錄城市裡,平凡的小公園,一天的音(聲)景狀態。<br />在7月18日這一天,選定住家附近的一個小型社區公園作<wbr></wbr><span class="word_break" style="display: inline-block;"></span>24小時的聲音記錄。<br />記錄方式以每一小時在公園裡錄下約十分鐘的環境聲音,完<wbr></wbr><span class="word_break" style="display: inline-block;"></span>成一天24小時(次)的錄音後, 然後立即編輯,將每一小時裡的每十分鐘長度聲音,剪輯成<wbr></wbr><span class="word_break" style="display: inline-block;"></span>一分鐘,最後黏接24次錄音的聲音資料後,總時間長度將<wbr></wbr><span class="word_break" style="display: inline-block;"></span>為24分鐘。<br />完成後上傳至radio aporee 的聲音地圖平台分享。<br /><br /><a href="http://www.worldlisteningproject.org/world-listening-day-2013/" rel="nofollow nofollow" style="cursor: pointer; text-decoration: none;" target="_blank">www.worldlisteningproject.<wbr></wbr><span class="word_break" style="display: inline-block;"></span>org/<wbr></wbr><span class="word_break" style="display: inline-block;"></span>world-listening-day-2013/</a><br /><br /><br />計劃二 : Soundwalk 及 座談<br />時間:2013年7月20日 晚上19:00-20:30<br />地點:tamtamART TAIPEI .IPIX 藝術空間<br /><br />1. Soundwalk – “ 預演 ”,一段針對這一個月在在tamtamART TAIPEI .IPIX 藝術空間的時間與空間混合的聆聽體驗。<br />Soundwalk 時間及地點流程:<br />時間:19:00-20:30 pm 每人次約耗時5分鐘的行程<br />地點:1. 出發點為tamtamART TAIPEI 空間的門口 > 2.進入tamtamART TAIPEI 空間 > 3. 走上二樓座談空間<br /><br />2. 台灣聲音地圖計劃分享交流座談</span></span>Unknownnoreply@blogger.com