鏡 . 花園 系列展一
Garden of Mir(ror/acle) series exhibition I
吳燦政：台灣聲音地圖
Tsan-Cheng Wu : Taiwan Sound Map
2013.06.29 - 2013.07.21
PHOTOS
什麼是台灣的聲音面貌？
聲音對我們的生活有什麼影響？
有必要認真傾聽與面對我們生活所在的地方，並整理出來我們日常生活的聲音環境面貌。
台灣聲音地圖是藝術家吳燦政一則為期六年的創作計劃，他結合Google Maps的地圖定位功能，將全台灣分為五大區塊，逐一採集錄製全台灣各地的聲音，他以特殊聲音事件或生活物件作為錄音記錄對象，並利用聲音資料而衍伸發展的研究與分享互動計劃，此外每一年除了主要規劃縣市聲音錄製外 , 並利用時間機會重復到訪已經錄製過的地區縣市 , 作再次錄音採集 , 盡可能地呈現聲音的內容在時空變化過程中的差異與現象 。此回在tamtamArt TAIPEI IPIX 將以耳機裝置呈現目前已完成採錄的聲音，意在透過聲音的採錄、資料庫的整理分析及相關展演活動的策劃，推廣對於台灣的聲音環境現象的感知與反饋行動。
What do sounds in Taiwan look like?
How do sounds influence our lives?
It is necessary to seriously listen to and face the place we live and summarize the looks of sounds in the environment in our daily lives.
Taiwan Sound Map is a 6-year creative project by an artist, Tsan-Cheng Wu. He adopted the positioning function of Google Maps, divided Taiwan into 5 major regions, and recorded sounds in Taiwan region by region. The targets of his recordings were special sound events or objects in lives. The sound data were also shared and used in studies and projects. Every year, besides recoding sounds in the counties/cities according to the plan, he also spent some time re-visiting counties/cities where he had already been to and recordings had been completed to collect sounds once again, for the purpose of showing the changes and phenomenon of sound contents with time. This time, in tamtamArt TAIPEI IPIX, ear phone devices will be used to present sounds from completed recordings. The purpose is to, through sound collecting and recording, database processing and analyses, and planning of related exhibitions and activities, promote perceptions and feedbacks of the sound environment phenomenon in Taiwan.
What do sounds in Taiwan look like?
How do sounds influence our lives?
It is necessary to seriously listen to and face the place we live and summarize the looks of sounds in the environment in our daily lives.
Taiwan Sound Map is a 6-year creative project by an artist, Tsan-Cheng Wu. He adopted the positioning function of Google Maps, divided Taiwan into 5 major regions, and recorded sounds in Taiwan region by region. The targets of his recordings were special sound events or objects in lives. The sound data were also shared and used in studies and projects. Every year, besides recoding sounds in the counties/cities according to the plan, he also spent some time re-visiting counties/cities where he had already been to and recordings had been completed to collect sounds once again, for the purpose of showing the changes and phenomenon of sound contents with time. This time, in tamtamArt TAIPEI IPIX, ear phone devices will be used to present sounds from completed recordings. The purpose is to, through sound collecting and recording, database processing and analyses, and planning of related exhibitions and activities, promote perceptions and feedbacks of the sound environment phenomenon in Taiwan.